"He made up his mind in advance, in adopting this course, to disappear,
fly, conceal himself, change his personality; to suppress, in short,
Count Hector de Tremorel, and make for himself, under another name, a
new position and identity. These hypotheses, easily admitted, suffice to
explain the whole series of otherwise inconsistent circumstances. They
explain to us in the first place, how it was that on the very night of
the murder, there was a large fortune in ready money at Valfeuillu; and
this seems to me decisive. Why, when a man receives sums like this,
which he proposes to keep by him, he conceals the fact as carefully as
possible. Monsieur de Tremorel had not this common prudence. He shows
his bundles of bank-notes freely, handles them, parades them; the
servants see them, almost touch them. He wants everybody to know and
repeat that there is a large sum in the house, easy to take, carry off,
and conceal. And what time of all times, does he choose for this
display? Exactly the moment when he knows, and everyone in the
neighborhood knows, that he is going to pass the night at the chateau,
alone with Madame de Tremorel.
"For he is aware that all his servants are invited, on the evening of
July 8th to the wedding of the former cook. So well aware of it is he,
that he defrays the wedding expenses, and himself names the day. You
will perhaps say that it was by chance that this money was sent to
Valfeuillu on the very night of the crime. At the worst that might be
admitted. But believe me, there was no chance about it, and I will prove
it. We will go to-morrow to the count's banker, and will inquire whether
the count did not ask him, by letter or verbally, to send him these
funds precisely on July 8th. Well, if he says yes, if he shows us such a
letter, or if he declares that the money was called for in person, you
will confess, no doubt, that I have more than a probability in favor of
my theory."
Both his hearers bowed in token of assent.
"So far, then, there is no objection."
"Not the least," said M. Plantat.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account