The mystery of space : $b a study of the hyperspace movement in the light of the evolution of new psychic faculties and an inquiry into the genesis and essential nature of spaceBrowne, Robert T.
Religion
The mystery of space : $b a study of the hyperspace movement in the light of the evolution of new psychic faculties and an inquiry into the genesis and essential nature of space
Browne, Robert T.
Hyperspace
Mathematicians, speculating upon the possibilities of mathetic
constructions and forgetting the necessary distinctions which should
be recognized as differentiating the two worlds, in their enthusiasm
have been led into the error of postulating as qualities of the
phenomenal world the characteristics of the conceptual. Accordingly,
a great deal of confusion as to the proper limits and restrictions of
these conceptions has arisen and there still may be found those who are
enthusiastically endeavoring to push the actualities of the physical
over into the conceptual. But in assuming any attitude towards mathetic
propositions, especially with a view to demonstrating their actuality,
very careful discrimination as to the essential qualities and their
connotations should be made. Hence, before taking up a brief study of
the fourth dimension proper, it is deemed fitting to indicate some of
the fundamental distinctions which every student of these questions
should be able to make with reference to the data which he meets.
All objects of the sensible world have both an essential or ideal
nature and a representative or sensuous nature. That is, they may be
studied from the standpoint of the ideal as well as the sensuous.
The representative nature is that which we recognize as the mode of
appearance to our senses which, as KANT held, is not the essential
or ideal character of the thing itself. For there is quite as much
difference between the sensuous percept and the real thing itself as
between an object and its shadow. In fact, a concept viewed in this
light, may be seen to have all the characteristics of an ordinary
shadow; for instance, the shadow of a tree. View it as the sun is
rising; it will then be seen to appear very much elongated, becoming
less in length and more distinct in outline as the sun rises to a
position directly overhead. The elongation may again be seen when the
sun is setting. Throughout the day as the sun assumes different angles
with reference to the tree the proportions and definiteness of the
shadow vary accordingly. Thus the angularity of the sun, the intensity
and fullness of the light and the shape and size of the tree operate to
determine the character of the shadow.
Public-domain text, read in full here on John Shaqi.
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