The Mystery of Suicide PlaceMiller, Alex. McVeigh, Mrs.
Philosophy
The Mystery of Suicide Place
Miller, Alex. McVeigh, Mrs.
Mystery fiction
“Sumptuous sense of costly cheer
Pervaded the soft atmosphere,
As if charmed walls had shut it in
From all the wild world’s noisy din.”
Alva watched with delight Floy’s keen appreciation of everything, as
she wandered from picture to picture, drinking in their beauty with
eager, appreciative eyes.
“She has a cultured soul, this lovely wild flower. I shall never be
bored by her, no matter how much we are thrown together,” thought Alva,
gladly.
Then she drew the covering from her latest work and directed Floy to
look at it.
The girl approached, and the first sight of the painting charmed her,
it was so life-like--the dancing youths and maidens were so natural,
the woods and water so perfect.
“Oh!” she cried, in an ecstasy; and Alva smiled, well pleased.
“You see it is not yet completed,” she explained. “See there the figure
of Cupid, with his bow and arrow. When I have given him your enchanting
face, it will be finished; and I am so impatient to begin that I will
commence painting this very morning!”
CHAPTER XXXI. NEAR TO DEATH.
Alva painted unweariedly for several hours, and declared herself
charmed with her lovely, patient model.
Floy was enthusiastic, too. She declared that she could not be grateful
enough to Miss Beresford for putting her face in that enchanting
picture.
“Only think!” she cried. “When I am dead and gone--when the light has
faded from my eyes--when this form of mine is dust in a forgotten
grave--this beauty will live on upon the deathless canvas, and some one
may say of me: ‘She was so pretty, this little Floy Fane, that Miss
Beresford made her face immortal by painting it as Cupid.’”
Alva saw that the girl’s delight was genuine, and it charmed her very
much.
“I shall put you in other pictures, too,” she said. “Last night, after
I left you, the thought came to me to paint your portrait in a simple
white gown, and call it ‘Maidenhood.’ Do you like the idea?”
“I am charmed!” cried Floy.
“You remember Longfellow’s ‘Maidenhood’?” continued Alva; and she
murmured some of the verses:
“‘Maiden with the meek brown eyes,
In whose orbs a shadow lies,
Like the dusk in evening skies.
“‘Thou whose locks outshine the sun,
Golden tresses wreathed in one,
As the braided streamlets run:
“‘Standing with reluctant feet,
Where the brook and river meet,
Womanhood and childhood fleet.’”
“How old are you, Floy?”
“Almost seventeen.”
“A charming age--the time of illusions! I am twenty-eight, dear--almost
an old maid.”
“You do not look twenty.”
“So they tell me; but my heart is even older than my years,” with a
suppressed sigh; then, smiling: “Have you ever had a lover, Floy? Why,
how frightened you look--how deeply you blush! Never mind; you needn’t
answer, child; your face tells its own conscious story.”
Public-domain text, read in full here on John Shaqi.
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