The Mystery of the Lost Dauphin (Louis XVII)Pardo Bazán, Emilia, condesa de
General
The Mystery of the Lost Dauphin (Louis XVII)
Pardo Bazán, Emilia, condesa de
Louis XVII, of France, 1785-1795 -- Fiction
Naundorff passed through the gate, deep in thought. His sister's voice
was in his ears; he felt again her caresses. His mind was at peace and
the incertitude regarding his individuality set at rest. Had she not
called him brother? Now he was tranquil, free from tormenting doubts.
Despoiled of his rights, perhaps, but impostor or maniac never! He
thought of Amélie, dreading to tell her the result of the interview.
Suddenly a hand was placed over his mouth, his arms were pinned to his
sides and he could neither cry nor defend himself. Volpetti searched him
and possessed himself of the case of papers with a triumphant laugh.
There was no need to employ force; nevertheless, through an excess of
precaution the spies gagged their victim and tied his hands.
All this was accomplished with the utmost celerity. Naundorff had been
reduced to immobility when de Brezé and the two Carbonari ran up. Using
cudgels, they stunned Lestrade and disabled La Grive. De Brezé then
devoted himself to Sec, and Giacinto turned, infuriated, on Volpetti.
This king of spies held the papers, determined to keep them at the cost
of his life, and was for this reason unable to handle his hunting knife
with his accustomed dexterity. The Sicilian dealt him a vigorous blow on
the collar bone which caused him to drop the case of papers. Lights
danced in his eyes and he felt as tho about to swoon. With a great
effort he recovered his senses sufficiently to aim a blow at Giacinto's
neck, as the Sicilian stooped to grasp the case. The wound would have
been fatal had not Giacinto evaded it by a rapid movement which
resembled the spring of a tiger. All the evil which his family had
suffered from Volpetti flashed thro lis mind and outweighed Naundorffs
interests; he forgot the papers for his own grievances, especially his
brother's body hanging from the gibbet. Clinching his white teeth, he
dashed upon the enemy, knocked the knife out of his hand and jerked the
false beard from his face. Volpetti lacked neither courage nor coolness,
but he was a constructive intelligence rather than a physical force.
Giacinto was much the younger and just now impelled by a homicidal
vertigo. Volpetti sought to rise, but Giacinto pushed his head back and
knelt with one knee upon his breast. In an access of savage joy, he cut
through his neck, accompanying the action with dreadful oaths and
invocations to the Madonna.
Public-domain text, read in full here on John Shaqi.
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