The Mystery of the Lost Dauphin (Louis XVII)Pardo Bazán, Emilia, condesa de
General
The Mystery of the Lost Dauphin (Louis XVII)
Pardo Bazán, Emilia, condesa de
Louis XVII, of France, 1785-1795 -- Fiction
Amélie was forced to resign herself patiently to await the news. Life
tends to normalize itself, whatever the given conditions, and she wisely
accommodated herself to the inevitable. During the mornings she roamed
over the great castle, in company with Vilon and Baby Dick. They would
ascend towers and descend into subterranean passages, rearranging the
salons and adorning the altars. The only inmates of the lofty feudal
edifice, besides Vilon, Amélie, Louis Pierre and the child were two
maid-servants, one of whom was in charge of the kitchen. At dawn both
maids went into the fields for fruit and vegetables or to take the cows
to pasture, so that Amélie, free from importunate eyes, walked about
freely. They were curious to see the Marquis's relative, she who slept
in the Marquise's boudoir, but they made no impertinent inquiries
through fear of Jean Vilon, who alone waited upon the guest. During the
afternoon, Louis Pierre would come up from his room and play dominoes
or discuss the future with her. The Carbonaro had read many books. His
brain had received certain ideas as though they had been graven thereon
with a corrosive. He was visionary, mystical and a dreamer, and
pertained to the sect known as Theophilanthropists; he believed himself
destined by Providence to accomplish some high mission requiring great
valor and abnegation. His chief characteristic was a contempt for life,
and this secured him Amélie's esteem.
With Jean Vilon, Amélie conversed less than with Louis Pierre and her
treatment always displayed an air of affectionate patronage. She was a
woman, very much of a woman, and fully conscious of her effect upon men.
She used no coquetry toward the fine peasant for in no particular did
her feminine artifices approach familiarity. The homage she loved to
receive was that of the soul, the adoration of chivalry; she longed for
the devotion which illustrious unhappy queens had inspired, such as Mary
Stuart, or Marie Antoinette. The attachment of Jean Vilon, each day more
apparent, was such as a youth of medieval ages paid the holy relics. He
divined and filled her every wish. On warm nights he escorted her
through the woods that she might breathe the fresh, pure air. They took
long walks which brought the roses back to her cheeks and the litheness
to her limbs. These clandestine rambles, which seemed at first so risky,
soon became a custom.
But her chief delight was the child, the unfortunate waif, torn from the
arms of his drowning mother and cast into hers. When asked his name, he
would answer "Baby, baby!"
"Only Baby?" Amélie would ask.
One day the little fellow fixed his blue eyes, full of candor, on her
face, and added:
"Baby Dick."
Public-domain text, read in full here on John Shaqi.
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