The Mystery of the Lost Dauphin (Louis XVII)Pardo Bazán, Emilia, condesa de
General
The Mystery of the Lost Dauphin (Louis XVII)
Pardo Bazán, Emilia, condesa de
Louis XVII, of France, 1785-1795 -- Fiction
In the midst of her anxiety, a new trouble broke upon her,--the
transformation taking place in her guardian, Jean. Not that the Breton
permitted himself liberties; the deference he paid her was daily more
marked and his attitude--that of devoté before an image--was more
intensified; but the devoté had eyes and the eyes would light up on
beholding his mistress; he had hands and those hands would tremble in
placing food on the table. She felt that he loved her with a wild, deep
love which only his iron will controlled.
She instinctively accentuated the difference in their ranks; she no
longer walked with him through the woods. Her fear of him increased
daily until she entered none of the castle's apartments, remaining
constantly in the boudoir or in Baby's little chamber which adjoined her
own.
"This misfortune," she soliloquized, for as such she designated Vilon's
passion, "has its cause in my disguise. Had I appeared to him in my
proper character he would never have dared. My God, help me! At the
mercy of a man whose eyes dart lightning, and from whom I must conceal
my fears, I have need of all my self-possession. If I falter, this
splendid animal will grip me."
One night she lay awake listening to Vilon's furtive footfalls in the
antechamber where, in his impassioned fidelity, he kept guard. Such
vigilance, far from tranquilizing the girl, filled her with ever
increasing terror. She tossed upon the gilded Pompadour bed, whose
woodwork was carved in capricious and elegant mythological designs. The
Marquise's pale shade seemed to be near. The child's tranquil breathing
came to her from his little low bed, back of the embroidered Chinese
screen. A tiny lamp, whose light was softened by a green glass globe,
projected unsteady rays, which magnified shadows and increased her
terror. She was fast becoming a victim to insomnia. Her lids closed but
the light shining through them wrought figures of fantastic dragons and
pale oblique-eyed damsels and mandarins with drooping mustaches who
first became animated and then disappeared. When these grotesque visions
vanished, there glowed on the silken background goddesses and nymphs of
Watteau pattern, who, descending from amid the bed carvings, danced
gayly on with clattering satin shoes and gleaming bosoms. Their laughs
rang shrill as they too vanished and there arose from the depths of the
tangled forest the tanned countenance and blond hair of Jean Vilon. He
seized one of the nymphs around the waist; the nymph was herself; she
struggled vainly; he clasped his rude hands around her delicate neck and
compressed it with gradually increasing force, almost extinguishing
life. In order to assure herself that all was delusion she opened wide
her eyes just as the brass enameled clock pealed forth midnight.
Public-domain text, read in full here on John Shaqi.
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