The Mystery of the Lost Dauphin (Louis XVII)Pardo Bazán, Emilia, condesa de
General
The Mystery of the Lost Dauphin (Louis XVII)
Pardo Bazán, Emilia, condesa de
Louis XVII, of France, 1785-1795 -- Fiction
"If my father," she thought during the long sleepless hours, "had been
received by his sister, if his rights had been recognized, the Duchess
would not have dared to outrage me with this proposition. Can René be
imprisoned? He must be living, or his mother would not seek to marry me
to Jean Vilon. In this plot, I see the hand of Volpetti. I wonder if the
spy was not one of the servants. I think I recognized him. O they would
be rid of me, and, not daring to kill me, they think to marry me basely.
For so could the Duchess free her son and they have one more pretext for
disclaiming my father's pretensions--But Baby Dick? What is to become
of him?"
Terror stricken she walked the floor. She began to comprehend how great
was the love which bound her to the frail being to whom she had been
playing the role of mother. She reproached herself cruelly for having
contributed to orphan the little fellow. His beauty, his grief at being
separated from her, his caresses, his cunning little ways, all these
surged to her mind and seemed to obliterate her other griefs.
"What does this mean? I know not my father's whereabouts; René is likely
in grave danger; but my thoughts are absorbed with this child who is
joined to me by no tie, whom chance placed in my arms and violence
removed."
Morning dawned and she had not closed her eyes. The birth of day brought
calmness as it does to all human souls. She had no longer need of
concealment, so, running to the windows, she flung them wide open,
heedless of the warning that death would ensue, which Vilon had given
her when she arrived in the Castle. The light streamed into the
Marquise's boudoir. The capricious antiquated draperies became
illuminated like a stage setting, contrasting with the desolate
magnificence of the exterior and the sombre massiveness of the towers
which the sun began to brighten. Amélie looked out through those windows
for the first time.
"What will they do to Baby?" she asked herself. "What can they do?
Nothing more than separate him from me I suppose. But he has become so
dear to me--Still that shall not break my will. _I_ the wife of Jean
Vilon?--What is the meaning of this? How has he dared lend himself to
the scheme? Why has he let the Duchess in? O his passion explains it
all. How repellent!--Better death a thousand times."
She gazed vacantly upon the faded silken hangings, the sumptuous
furniture and elegant old laces; she caught her image in the mirrors of
magnificent frames wherein the Marquise had so often beheld her pallid
wasted features. Suddenly, she started, listening affrightedly to Baby
Dick's cry in the next room.
"Mamma 'Mélie! Mamma 'Mélie!" he called. "Come! Give me breakfast. It is
very late."
With passion of which she had not deemed herself capable, she ran to the
door and shook it violently, crying:
"My little heart, I can't come to you. Wait. Be very patient."
"My pretty mamma, I am alone. That bad lady shut me in. O break the
door, mamma."
Public-domain text, read in full here on John Shaqi.
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