The Mystery of the Lost Dauphin (Louis XVII)Pardo Bazán, Emilia, condesa de
General
The Mystery of the Lost Dauphin (Louis XVII)
Pardo Bazán, Emilia, condesa de
Louis XVII, of France, 1785-1795 -- Fiction
An hour later, Baby sat in Amélie's lap. She had given him milk and soup
and he was covering her face with kisses,--this child whom she loved
more than ever since renouncing for him what was dearer to her than
life. Suddenly the doors were thrown wide open and the Duchess entered
accompanied by the two liveried attendants, bearing handsome clothes,
jewels and laces. Amélie did not raise her eyes. Two girls, the
maid-servants who had been so curious to see her, approached eagerly and
began to deck the bride. They fastened a velvet petticoat beneath an
embroidered silk jacket and pinned the veil and flowers in her beautiful
hair. Soon she was transformed into a lovely Breton bride. Then the
Duchess summoned Jean Vilon, who, in gala costume, a spray of wild
flowers on his breast tied with many colored ribbons, made a brilliant
handsome picture. He was pale, ecstatic, scarcely sensible of what was
in preparation. Things had happened in so bewildering a manner that he
could not co-ordinate his thoughts; he remembered that the Duchess had
unexpectedly arrived and imposed her authority as René's mother to force
entrance into the castle; then she had ordered him in her son's name to
prepare to marry the girl above, who was under the family's special
protection, adding that her misfortunes were the consequence of being
abandoned by a man who had betrayed her. Jean, tho wild with joy,
hesitated and the Duchess added that Amélie came from his class and was
unconnected with the de Brezé family.
"Be a good husband to her, Jean, and you will lack nothing. Be a good
father to the child, and I will give you the Plouret farm."
O what did the farm matter to him! He trembled in a rapture of love. The
husband of Amélie! He enveloped her now in a glance that was a wave of
flame and then, intimidated by the prize he longed to grasp, he turned
interrogating eyes upon the Duchess.
At length they went into the chapel. Two tenants of the de Brezés served
as witnesses. The altar was adorned with gorgeous pots, holding paper
flowers, and the chaplain stood ready to perform the ceremony. The two
serving-maids pressed near the bride, according to the custom of Breton
girls, in eagerness to touch her so as to hasten their own marriage.
Amélie seemed more a statue than an animate body. She recalled René's
words: "In Picmort are the tombs of my ancestors, the ashes of my
fathers; in Picmort I was baptized; in Picmort we shall receive heaven's
blessing on our union." Since living in the castle she had often
pictured their marriage in that chapel. She gazed on the long row of
sepulchral arches to right and left and on the tombs with slabs
supporting the prone forms of Crusader-paladins, hands crossed on
breast; on the superb crucifix surmounting the altar; on the colored
oblong windows. This was the chapel in which she was to have been united
to René de Giac, but there stood now at her side a peasant, a rustic, a
servant of the House of Brezé.
Public-domain text, read in full here on John Shaqi.
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