“I’ll tell you. About five o’clock that afternoon—after the first excitement and everything had died down a bit—I had occasion to go along the passage towards the door where the master’s patients usually come in. The door that’s in Coolwater Avenue. In the hall there, we have a very handsome art-pot that stands on a pedestal in the corner—that high.” She indicated the height with her right hand. “As I walked past it—on my way back that is from the door—I noticed something that I thought was tissue-paper lying inside the art-pot. I put my hand in—to remove it—almost mechanically—you might say—it looked untidy—a thing I hate—when to my utter surprise I found that what I had thought was a bundle of tissue-paper was in reality a wad of bank-notes amounting to a hundred pounds. I was knocked all of a heap! My first inclination was to call Mr. Branston. But I hesitated. Then the temptation to say nothing came to me.” Her voice broke and her self-control deserted her. She burst out sobbing. “I needed money badly. You people who never want for a few pounds don’t realise what it is to be in debt year after year and to see little chance of ever getting out. To be forced to borrow for anything special because you have no margin. Self-denial and going without most of the things that make life worth living may mean the saving of a few shillings, month by month, but no more than that. It takes a life-time to scrape fifty pounds together saving like that—and there was a hundred pounds here.” “How did you know it didn’t belong to Mr. Branston?” Bannister flashed the question at her. She shook her head. “I didn’t know,” she sobbed. “I had to take my chance. I listened, though, to hear any mention of him having lost any money—or if anybody else had. But I heard nothing—so I kept part of it myself and re-paid the fifty pounds I owed to Mr. Branston.” “Didn’t it occur to you to connect it with the murder?” exclaimed the Inspector. “I didn’t know what to think. I was terribly worried. What I said to myself was this. If the young lady had been murdered for her money—why was the money thrown into the art-pot? I puzzled my head over it at least fifty times—but I was never able to satisfy myself. There was no mention in any of the papers of the young lady having lost any money—so I could be certain you see.” “She’s right Inspector,” interposed Branston. “That’s a poser to me—I frankly confess it. If the murderer took the money off Miss Delaney why in the name of all that’s wonderful did he leave it behind—deliberately, at that?” “He may have realised that to retain the notes spelt ‘Danger’ in capital letters. That is assuming this last story to be true. I’m damned if I know where I’m getting to. Shew me this passage where you say you found these notes.”