Outside, on the ground beside the monument, were no unusual signs
of passage. The patch of bare earth and gravel, which we had before
noticed, left no trace of footsteps. Those who had used it had evidently
taken care that there should be no sign. We went slowly along the
route, which, by my former experiments with the thread, I had found was
habitually used. Presently one of the Americans asked me to stop, as he
had seen a trace of feet. For my life I could distinguish nothing in the
seemingly undisturbed mass of pine needles. But the man, who in his
youth had been in Indian country, had learned something of tracking;
he could interpret signs unseen to others with less highly developed
instincts. He went down on his knees and examined the ground, inch by
inch, using a microscope. For some ten yards he crawled along on hands
and knees engaged in this way. Then he stood up and said:
"There's no error about it now. There are six men and a woman. They have
been carrying her, and have let her down here!" We did not challenge his
report, or even ask how he had arrived at it; we were all well content
to accept it.
We then moved on in the manifest direction in which the ground trended;
we were working towards the high road which ran past the gates of Crom.
I asked the others to let me go first now, for I knew this would be
Marjory's chance to continue her warning. Surely enough, I saw presently
a slight disturbance in the pine needles, and then another and another.
I spelled out the word "Manse" and again "Manse" and later on "try all
Manses near." Then the sign writing ceased; we had come out of the wood
on to a grass field which ran down to the high road. Here, outside a gap
at the bottom of the field, were the marks in the dust of several feet,
the treading of horses, and the ruts of wheels. A little further on,
the wheel marks--some four-wheeled vehicle--were heavy; and from the
backward propulsion of the dust and gravel in the hoof-tracks we could
easily see that the horses were galloping.
Public-domain text, read in full here on John Shaqi.
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