Detective and mystery stories; Reporters and reporting -- Fiction; Rouletabille, Joseph (Fictitious character) -- Fiction
“I don’t know if you have swerved from your original idea,” said the
young reporter. Then he added, with emphasis: “Monsieur Darzac is an
honest man!”
“Are you sure of that?” asked Larsan. “Well, I am sure he is not. So
it’s a fight then?”
“Yes, it is a fight. But I shall beat you, Monsieur Frédéric Larsan.”
“Youth never doubts anything,” said the great Fred laughingly, and held
out his hand to me by way of conclusion.
Rouletabille’s answer came like an echo:—
“Not anything!”
Suddenly Larsan, who had risen to wish us good-night, pressed both
his hands to his chest and staggered. He was obliged to lean on
Rouletabille for support, and to save himself from falling.
“Oh! Oh!” he cried. “What is the matter with me?—Have I been poisoned?”
He looked at us with haggard eyes. We questioned him vainly; he did not
answer us. He had sunk into an armchair and we could get not a word
from him. We were extremely distressed, both on his account and on our
own, for we had partaken of all the dishes he had eaten. He seemed to
be out of pain; but his heavy head had fallen on his shoulder and his
eyelids were tightly closed. Rouletabille bent over him, listening for
the beatings of the heart.
My friend’s face, however, when he stood up, was as calm as it had been
a moment before agitated.
“He is asleep,” he said.
He led me to his chamber, after closing Larsan’s room.
“The drug?” I asked. “Does Mademoiselle Stangerson wish to put
everybody to sleep, to-night?”
“Perhaps,” replied Rouletabille; but I could see he was thinking of
something else.
“But what about us?” I exclaimed. “How do we know that we have not been
drugged?”
“Do you feel indisposed?” Rouletabille asked me coolly.
“Not in the least.”
“Do you feel any inclination to go to sleep?”
“None whatever.”
“Well, then, my friend, smoke this excellent cigar.”
And he handed me a choice Havana, one Monsieur Darzac had given him,
while he lit his briarwood—his eternal briarwood.
We remained in his room until about ten o’clock without a word passing
between us. Buried in an armchair Rouletabille sat and smoked steadily,
his brow in thought and a far-away look in his eyes. On the stroke of
ten he took off his boots and signed to me to do the same. Standing in
our socks he said, in so low a tone that I guessed, rather than heard,
the word:
“Revolver.”
I drew my revolver from my jacket pocket.
“Cock it!” he said.
I did as he directed.
Then moving towards the door of his room, he opened it with infinite
precaution; it made no sound. We were in the “off-turning” gallery.
Rouletabille made another sign to me which I understood to mean that I
was to take up my post in the dark closet.
When I was some distance from him, he rejoined me and embraced me;
and then I saw him, with the same precaution, return to his room.
Astonished by his embrace, and somewhat disquieted by it, I arrived at
the right gallery without difficulty, crossing the landing-place, and
reaching the dark closet.
Public-domain text, read in full here on John Shaqi.
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