Detective and mystery stories; Reporters and reporting -- Fiction; Rouletabille, Joseph (Fictitious character) -- Fiction
“As I am almost sure that the murderer is there, why do I not at once
give the alarm? The murderer may, perhaps, escape; but, perhaps, I may
be able to save Mademoiselle Stangerson’s life. Suppose the murderer on
this occasion is not here to murder? The door has been opened to allow
him to enter; by whom?—And it has been refastened—by whom?—Mademoiselle
Stangerson shuts herself up in her apartment with her nurses every
night. Who turned the key of that chamber to allow the murderer to
enter?—The nurses,—two faithful domestics? The old chambermaid,
Sylvia? It is very improbable. Besides, they slept in the boudoir, and
Mademoiselle Stangerson, very nervous and careful, Monsieur Robert
Darzac told me, sees to her own safety since she has been well enough
to move about in her room, which I have not yet seen her leave. This
nervousness and sudden care on her part, which had struck Monsieur
Darzac, had given me, also, food for thought. At the time of the
crime in The Yellow Room, there can be no doubt that she expected the
murderer. Was he expected _this_ night?—Was it she herself who had
opened her door to him? Had she some reason for doing so? was she
_obliged_ to do it?—Was it a meeting for purposes of crime?—Certainly
it was not a lover’s meeting, for I believe Mademoiselle Stangerson
adores Monsieur Darzac.
“All these reflections ran through my brain like a flash of lightning.
What would I not give to _know_!
“It is possible that there was some reason for the awful silence. My
intervention might do more harm than good. How could I tell? How could
I know I might not any moment cause another crime? If I could only see
and know, without breaking that silence!
“I left the ante-room and descended the central stairs to the vestibule
and, as silently as possible, made my way to the little room on the
ground-floor where Daddy Jacques had been sleeping since the attack
made at the pavilion.
“I found him dressed, his eyes wide open, almost haggard. He did not
seem surprised to see me. He told me that he had got up because he
had heard the cry of the Bête du bon Dieu, and because he had heard
footsteps in the park, close to his window, out of which he had looked
and, just then, had seen a black shadow pass by. I asked him whether
he had a firearm of any kind. No, he no longer kept one, since the
examining magistrate had taken his revolver from him. We went out
together, by a little back door, into the park, and stole along the
château to the point which is just below Mademoiselle Stangerson’s
window.
Public-domain text, read in full here on John Shaqi.
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