Detective and mystery stories; Reporters and reporting -- Fiction; Rouletabille, Joseph (Fictitious character) -- Fiction
“Mademoiselle Stangerson herself was not there!—Her bed had not been
lain on! Where, then, was she sleeping that night? Doubtless in the
side-room with her women. Perhaps this was but a guess. I must content
myself with the joy of finding the man alone. I must be calm to prepare
my trap.
“But who, then, is this man writing there before my eyes, seated at
the desk, as if he were in his own home? If there had not been that
ladder under the window; if there had not been those footprints on the
carpet in the gallery; if there had not been that open window, I might
have been led to think that this man had a right to be there, and that
he was there as a matter of course and for reasons about which as yet
I knew nothing. But there was no doubt that this mysterious unknown
was the man of The Yellow Room,—the man to whose murderous assault
Mademoiselle Stangerson—without denouncing him—had had to submit. If I
could but see his face! Surprise and capture him!
“If I spring into the room at this moment, he will escape by the
right-hand door opening into the boudoir,—or crossing the drawing-room,
he will reach the gallery and I shall lose him. I have him now and in
five minutes more he’ll be safer than if I had him in a cage.—What
is he doing there, alone in Mademoiselle Stangerson’s room?—What
is he writing? I descend and place the ladder on the ground. Daddy
Jacques follows me. We re-enter the château. I send Daddy Jacques
to wake Monsieur Stangerson, and instruct him to await my coming in
Mademoiselle Stangerson’s room and to say nothing definite to him
before my arrival. I will go and awaken Frédéric Larsan. It’s a bore
to have to do it, for I should have liked to work alone and to have
carried off all the honors of this affair myself, right under the
very nose of the sleeping detective. But Daddy Jacques and Monsieur
Stangerson are old men, and I am not yet fully developed. I might
not be strong enough. Larsan is used to wrestling and putting on the
handcuffs. He opened his eyes swollen with sleep, ready to send me
flying, without in the least believing in my reporter’s fancies. I had
to assure him that _the man_ was there!
“‘That’s strange!’ he said; ‘I thought I left him this afternoon in
Paris.’
“He dressed himself in haste and armed himself with a revolver. We
stole quietly into the gallery.
“‘Where is he?’ Larsan asked.
“‘In Mademoiselle Stangerson’s room.’
“‘And—Mademoiselle Stangerson?’
“‘She is not in there.’
“‘Let’s go in.’
“‘Don’t go there! On the least alarm the man will escape. He has four
ways by which to do it—the door, the window, the boudoir, or the room
in which the women are sleeping.’
“‘I’ll draw him from below.’
“‘And if you fail?—If you only succeed in wounding him—he’ll escape
again, without reckoning that he is certainly armed. No, let me direct
the expedition, and I’ll answer for everything.’
“‘As you like,’ he replied, with fairly good grace.
Public-domain text, read in full here on John Shaqi.
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