Detective and mystery stories; Murder -- Investigation -- Fiction
From the near distance came a whispering voice, which made him shiver.
"No one insists here," said the unknown speaker, "all obey."
"Who is it that all obey?" demanded the prisoner undauntedly.
"Queen Beelzebub!" murmured the voice, soft and sibilant.
There flashed into Dan's mind some teaching, secular or sacred--he
could not tell which at the moment--relative to a deity who had to do
with flies. A Ph[oe]nician deity he fancied, but surely if his memory
served him, a male godling. Beelzebub, the god of Flies! He remembered
now, and remembered also the trade-mark of the mysterious society
formed for the purpose of murdering various people for various
reasons, known and unknown.
"So you have got me at last," he said aloud. "I might have guessed
that Penn would trap me."
"No names," said the unseen speaker coldly; "it will be the worse for
you if you mention names."
"Am I addressing Beelzebub?" asked Dan, and for the life of him he
could not keep the irony out of his tones, for the whole thing was so
theatrical.
"Queen Beelzebub!"
"I see; you have given the god of Flies a consort. May I ask why I
have been brought here?"
"We intend to make you an offer."
"Who we? What we?"
"The members of the Society of Flies, of which I am the head."
"H'm, I understand. Don't you think you had better loose my hands and
turn up the lights?"
"Be silent," ordered the voice imperiously, and, as Dan fancied, with
some hint of temper at the flippant way in which he talked; "be silent
and listen!"
"I can't help myself," said Halliday coolly, "go on, please."
There was a soft rustle, as if the unseen company admired his courage
for behaving calmly in what was, undoubtedly, a weird and trying
situation. Then some distance away a disk of red light, like a winter
sun, appeared with nerve-shaking swiftness. It revealed none of the
company, for all were still in the gloom, but concentrated its angry
rays on a large and solemn visage, unhuman in its stillness and awful
calm. It was an Egyptian face, such as belongs to the statues of the
gods of Kem, and the head-dress, stiff and formal, was also suggestive
of the Nile. Of more than usual size, Dan could only see its vast
features, but fancied that a red robe fell in folds from the neck
downward. There was something grand about this severe face, and in the
darkness, with the scarlet light gleaming fiercely on its immobility,
it was assuredly effective, if somewhat theatrical. The lips did not
move when Queen Beelzebub began to speak, but the eyes were alive; the
eyes of the person concealed behind the mask. Dan noticed that, when
the face became visible in the angry red light, the speaker ceased to
whisper, and the voice became deep, voluminous, and resonant as that
of a gong. The tone was that of a man, but it might have been a woman
speaking through an artificial mouthpiece. The final thing which Dan
noticed was that the whole atmosphere of the room reeked with the rich
fragrance of the Sumatra scent.
Public-domain text, read in full here on John Shaqi.
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