The Mythology of the British Islands: An Introduction to Celtic Myth, Legend, Poetry, and RomanceSquire, Charles
General
The Mythology of the British Islands: An Introduction to Celtic Myth, Legend, Poetry, and Romance
Squire, Charles
Celts -- Folklore; Mythology, Celtic
The epoch of Emain Macha is followed in the annals of ancient Ireland by
a succession of monarchs who, though doubtless as mythical as King
Conchobar and his court, seem to grow gradually more human. Their line
lasts for about two centuries, culminating in a dynasty with which
legend has occupied itself more than with its immediate predecessors.
This is the one which began, according to the annalists, in A.D. 177,
with the famous Conn “the Hundred-Fighter”, and, passing down to the
reign of his even more famous grandson, Cormac “the Magnificent”, is
connected with the third Gaelic cycle—that which relates the exploits of
Finn and the Fenians. All these kings had their dealings with the
national gods. A story contained in a fifteenth-century Irish
manuscript, and called “The Champion’s Prophecy”,[224] tells how Lugh
appeared to Conn, enveloped him in a magic mist, led him away to an
enchanted palace, and there prophesied to him the number of his
descendants, the length of their reigns, and the manner of their deaths.
Another tradition relates how Conn’s son, Connla, was wooed by a goddess
and borne away, like the British Arthur, in a boat of glass to the
Earthly Paradise beyond the sea.[225] Yet another relates Conn’s own
marriage with Becuma of the Fair Skin, wife of that same Labraid of the
Quick Hand on Sword who, in another legend, married Liban, the sister of
Fand, Cuchulainn’s fairy love. Becuma had been discovered in an intrigue
with Gaiar, a son of Manannán, and, banished from the “Land of Promise”,
crossed the sea that sunders mortals and immortals to offer her hand to
Conn. The Irish king wedded her, but evil came of the marriage. She grew
jealous of Conn’s other son, Art, and insisted upon his banishment; but
they agreed to play chess to decide which should go, and Art won. Art,
called “the Lonely” because he had lost his brother Connla, was king
after Conn, but he is chiefly known to legend as the father of Cormac.
Many Irish stories occupy themselves with the fame of Cormac, who is
pictured as a great legislator—a Gaelic Solomon. Certain traditions
credit him with having been the first to believe in a purer doctrine
than the Celtic polytheism, and even with having attempted to put down
druidism, in revenge for which a druid called Maelcen sent an evil
spirit who placed a salmon-bone crossways in the king’s throat, as he
sat at meat, and so compassed his death. Another class of stories,
however, make him an especial favourite with those same heathen deities.
Manannán son of Lêr, was so anxious for his friendship that he decoyed
him into fairyland, and gave him a magic branch. It was of silver, and
bore golden apples, and, when it was shaken, it made such sweet music
that the wounded, the sick, and the sorrowful forgot their pains, and
were lulled into deep sleep. Cormac kept this treasure all his life;
but, at his death, it returned into the hands of the gods.[226]
Public-domain text, read in full here on John Shaqi.
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