It was always held unlucky to break a piece of crockery, as a second
and a third piece shortly will be broken also. This is closely
associated with the belief respecting the number three, elsewhere
referred to. In New England it is commonly said that if you should
break something on Monday, bad luck will follow you all the rest of the
week.
To stumble in going upstairs is also unlucky; perhaps to stumble at any
other time. Friar Lawrence says, in “Romeo and Juliet,”--
“They stumble that run fast.”
Two persons washing their hands in the same basin or in the same water
will quarrel unless the sign of the cross be made in the water.
It is considered unlucky to take off a ring that was the gift of a
deceased person, an engagement, or a marriage ring.
The term “hoodoo,” almost unknown in the Northern United States a few
years ago, has gradually worked its way into the vernacular, until
it is in almost everybody’s mouth. It is, perhaps, most lavishly
employed during the base-ball season, as everyone knows who reads
the newspapers, to describe something that has cast a spell upon the
players, so bringing about defeat. The term is then “hoodooing.” The
hoodoo may be anything particularly ugly or repulsive seen on the way
to the game--a deformed old woman, a one-legged man, a lame horse,
or a blind beggar, for instance. Most players are said to give full
credit to the power of the hoodoo to bewitch them. Indeed, the term has
been quite widely taken up as the synonym for bad luck, or, rather,
the cause of it, even by the business world. If this is not, to all
intents, a belief in witchcraft, it certainly comes very close to what
passed for witchcraft two hundred years ago.
This vagrant and ill-favored word “hoodoo” is, again, a corruption of
the voudoo of the ignorant blacks of the South, with whom, in fact, it
stands, as some say, for witchcraft, pure and simple, or, perhaps, the
Black Art, as practised in Africa; while others pronounce it to be a
religious rite only. More than this, the voudoo also is a mystic order,
into whose unholy mysteries the neophyte is inducted with much barbaric
ceremony. In the case of a white woman so initiated in Louisiana,
this consisted in the elect chanting a weird incantation, while the
novitiate, clad only in her shift, danced within a charmed circle
formed of beef bones and skeletons, toads’ feet and spiders, with
camphor and kerosene oil sprinkled about it. All those present join in
the dance to the accompaniment of tom-toms and other rude instruments,
until physical exhaustion compels the dancers to stop.
In its main features we find a certain resemblance between the voudoo
dance of the ignorant blacks and the ghost dance practised by some of
the wild Indians of the West, and by means of which they are wrought up
to the highest pitch of frenzy, so preparing the way for an outbreak,
such as occurred a few years ago with most lamentable results.
Public-domain text, read in full here on John Shaqi.
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