The Myths of the North American IndiansSpence, Lewis
History
The Myths of the North American Indians
Spence, Lewis
Indian mythology -- North America; Indians of North America -- Folklore
"Success in war is to the Indian the acme of glory, and to learn its
arts the object of his highest attainment. The boys and youths acquire
the accomplishment at an early period of dancing the war-dance; and
although they are not permitted to join its fascinating circle till
they assume the envied rank of actual warriors, still their early
sports and mimic pastimes are imitations of its various movements and
postures. The envied eagle's feather is the prize. For this the
Indian's talent, subtlety, endurance, bravery, persevering fasts, and
what may be called religious penances and observances are made.
{67}
"The war-path is taken by youths at an early age. That age may be
stated, for general comparison, to be sixteen; but, without respect to
exact time, it is always after the primary fast, during which the youth
chooses his personal guardian or _monedo_--an age when he first assumes
the duties of manhood. It is the period of the assumption of the
three-pointed blanket, the true toga of the North American Indian.
"The whole force of public opinion, in our Indian communities, is
concentrated on this point; its early lodge teachings (such as the
recital of adventures of bravery), its dances, its religious rites, the
harangues of prominent actors, made at public assemblages (such as is
called 'striking the post'), all, in fact, that serves to awaken and
fire ambition in the mind of the savage, is clustered about the idea of
future distinction in war.
"... The Indian has but one prime honour to grasp; it is triumph in the
war-path; it is rushing upon his enemy, tearing the scalp reeking from
his head, and then uttering his terrific _sa-sa-kuon_ (death-whoop).
For this crowning act he is permitted to mount the honoured feather of
the war-eagle--the king of carnivorous birds. By this mark he is
publicly known, and his honours recognized by all his tribe, and by the
surrounding tribes whose customs assimilate.
"When the scalp of an enemy has been won, very great pains are taken to
exhibit it. For this purpose it is stretched on a hoop and mounted on
a pole. The inner part is painted red, and the hair adjusted to hang
in its natural manner. If it be the scalp of a male, eagle's feathers
are attached to denote _that_ fact. If a female, a comb or scissors is
hung on the frame. In this condition it is placed in the hands of an
old woman, who bears it about in the scalp-dance, while opprobrious
epithets are uttered against the tribe from which it was {68} taken.
Amidst these wild rejoicings the war-cry is vociferated, and the
general sentiment with old and young is: 'Thus shall it be done to our
enemies.'
"The feather of the eagle is the highest honour that a warrior can
wear, and a very extravagant sum is sometimes given to procure one.
The value of a horse has been known to be paid. The mode in which a
feather is to be cut and worn is important to be noticed.
Public-domain text, read in full here on John Shaqi.
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