The little blue placard hung over the cot, as in the foundling
hospitals, states the child’s nationality: “Moldo, Wallachian.” What a
piece of ill-luck that Monsieur the Secretary’s attention should have
been attracted to that particular child! Oh, that poor little head lying
on the pillow, its linen cap askew, with pinched nostrils, and mouth
half opened by a quick, panting respiration, the breathing of the newly
born, of those also who are about to die.
“Is he ill?” asked Monsieur the Secretary softly of the director, who
has come up to him.
“Not the least in the world,” the shameless Pompon replies, and,
advancing to the side of the cot, he tries to make the little one laugh
by tickling him with his finger, straightens the pillow, and says in a
hearty voice, somewhat overcharged with tenderness: “Well, old fellow?”
Shaken out of his torpor, escaping for a moment from the shades which
already are closing on him, the child opens his eyes on those faces
leaning over him, glances at them with a gloomy indifference, then,
returning to his dream which he finds more interesting, clinches his
little wrinkled hands and heaves an elusive sigh. Mystery! Who shall say
for what end that baby had been born into life? To suffer for two months
and to depart without having seen anything, understood anything, without
any one even knowing the sound of his voice.
“How pale he is!” murmurs M. de la Perriere, very pale himself. The
Nabob is livid also. A cold breath seems to have passed over the place.
The director assumes an air of unconcern.
“It is the reflection. We are all of us green here.”
“Yes, yes, that is so,” remarks Jenkins, “it is the reflection of the
lake. Come and look, Monsieur the Secretary.” And he draws him to the
window to point out to him the large sheet of water with its dipping
willows, while Mme. Polge makes haste to draw over the eternal dream of
the little Wallachian the parted curtains of his cradle.
The inspection of the establishment must be continued very quickly in
order to destroy this unfortunate impression.
Public-domain text, read in full here on John Shaqi.
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