The weather was magnificent, but hot and heavy, three months in advance
of the season, as often happens in this impetuous country, where
everything is in a hurry and comes too soon. Although there was not a
cloud to be seen, the stillness of the atmosphere--the wind had
fallen suddenly like a loose sail--dazzling and heated white, a silent
solemnity hanging over all, foretold a storm brewing in some corner
of the horizon. The immense torpor of things gradually influenced the
living beings. One heard too distinctly the tinkling mule-bells, the
heavy steps in the dust of the band of singers whom Cardailhac was
placing at regular distances in the seething human hedge which bordered
the road and was lost in the distance; a sudden call, children’s voices,
and the cry of the water-seller, that necessary accompaniment of all
open-air festivals in the Midi.
“Open your window, general, it is stifling,” said Monpavon, crimson,
fearing for his paint, and the lowered windows exposed to the populace
these high functionaries mopping their august faces, strained, agonized,
by the same expression of waiting--waiting for the Bey, for the storm,
waiting for something, in short.
Still another trimphal arch. It was at Giffas, its long, stony street
strewn with green palms, and its sordid houses gay with flowers and
bright hangings. The station was outside the village, white and square,
stuck like a thimble on the roadside--true type of a little country
station, lost in the midst of vineyards, never having any one in it
except perhaps sometimes an old woman and her parcels waiting in a
corner, come three hours before the time.
Public-domain text, read in full here on John Shaqi.
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