Poor Maranne heaves a sign that speaks volumes on the great grief which
he hides in the depths of his heart. But what sadness would not have
been vanquished in presence of that dear face lighted up with its fair
curls and the radiant perspective of the future? These serious questions
having been settled, they are able to open the door and recall the two
exiles. In order to avoid filling their little heads with thoughts above
their age, it has been agreed to say nothing about the prodigious event,
to tell them nothing except that they have all to make haste and dress,
breakfast still more quickly, so as to be able to spend the afternoon in
the Bois, where Maranne will read his play to them, before they go on to
Suresnes to have dinner at Kontzen’s: a whole programme of delights in
honour of the acceptance of _Revolt_, and of another piece of good news
which they will hear later.
“Ah, really--what is it, then?” ask the two little girls, with an
innocent air.
But if you fancy they don’t know what is in the air, if you think that
when Mlle. Elise used to give three raps on the ceiling they imagined
that it was for information on business, you are more ingenuous even
than _le pere_ Joyeuse.
“That’s all right--that’s all right, children; go and dress, in any
case.”
Then there begins another refrain:
“What frock must I put on, Bonne Maman--the gray?”
“Bonne Maman, there is a string off my hat.”
“Bonne Maman, my child, have I no more starched cravats left?”
For ten minutes the charming grandmother is besieged with questions and
entreaties. Every one needs her help in some way; it is she who had the
keys of everything, she who gives out the pretty, white, fine goffered
linen, the embroidered handkerchiefs, the best gloves, all the dainty
things which, taken out from drawers and wardrobes, spread over the bed,
fill a house with a bright Sunday gaiety.
The workers, the people with tasks to fulfil, alone know that delight
which returns each week consecrated by the customs of a nation. For
these prisoners of the week, the almanac with its closed prison-like
gratings opens at regular intervals into luminous spaces, with
breaths of refreshing air. It is Sunday, the day that seems so long
to fashionable folk, to the Parisians of the boulevard whose habits it
disturbs, so gloomy to people far from their homes and relatives, that
constitutes for a multitude of human beings the only recompense, the one
aim of the desperate efforts of six days of toil. Neither rain nor hail,
nothing makes any difference, nothing will prevent them from going
out, from closing behind them the door of the deserted workshop, of the
stuffy little lodging. But when the springtime is come, when the May
sunshine glitters on it as this morning, and it can deck itself out in
gay colours, then indeed Sunday is the holiday of holidays.
Public-domain text, read in full here on John Shaqi.
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