He paused to take breath, feeling quite exhausted. In an hour he had
walked farther and spoken more than he was accustomed to do in the
course of a whole year. They noticed, as they stopped, that their walk
and conversation had led them back in the direction of Mora’s grave,
which was situated just above a little exposed plateau, whence looking
over a thousand closely packed roofs, they could see Montmartre, the
Buttes Chaumont, their rounded outline in the distance looking like high
waves. In the hollows lights were already beginning to twinkle, like
ships’ lanterns, through the violet mists that were rising; chimneys
seemed to leap upward like masts, or steamer funnels discharging their
smoke. Those three undulations, with the tide of Pere Lachaise, were
clearly suggestive of waves of the sea, following each other at equal
intervals. The sky was bright, as often happens in the evening of a
rainy day, an immense sky, shaded with tints of dawn, against which
the family tomb of Mora exhibited in relief four allegorical figures,
imploring, meditative, thoughtful, whose attitudes were made more
imposing by the dying light. Of the speeches, of the official
condolences, nothing remained. The soil trodden down all around, masons
at work washing the dirt from the plaster threshold, were all that was
left to recall the recent burial.
Suddenly the door of the ducal tomb shut with a clash of all its
metallic weight. Thenceforth the late Minister of State was to remain
alone, utterly alone, in the shadow of its night, deeper than that which
then was creeping up from the bottom of the garden, invading the winding
paths, the stone stairways, the bases of the columns, pyramids and tombs
of every kind, whose summits were reached more slowly by the shroud.
Navvies, all white with that chalky whiteness of dried bones, were
passing by, carrying their tools and wallets. Furtive mourners, dragging
themselves away regretfully from tears and prayer, glided along the
margins of the clumps of trees, seeming to skirt them as with the silent
flight of night-birds, while from the extremities of Pere Lachaise
voices rose--melancholy calls announcing the closing time. The day of
the cemetery was at its end. The city of the dead, handed over once
more to Nature, was becoming an immense wood with open spaces marked by
crosses. Down in a valley, the window-panes of a custodian’s house were
lighted up. A shudder seemed to run through the air, losing itself in
murmurings along the dim paths.
“Let us go,” the two old comrades said to each other, gradually coming
to feel the impression of that twilight, which seemed colder than
elsewhere; but before moving off, Hemerlingue, pursuing his train of
thought, pointed to the monument winged at the four corners by the
draperies and the outstretched hands of its sculptured figures.
“Look here,” said he. “That was the man who understood the art of
keeping up appearances.”
Jansoulet took his arm to aid him in the descent.
Public-domain text, read in full here on John Shaqi.
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