“One seems to smell scorching in your drawing-room, my child,” said the
old Princess de Dions smilingly to the newly named Marie, whom M. Le
Merquier and she had led to the font. But the presence of all these
heretics--Jews, Moslems, and even renegades--of these great over-dressed
blotched women, loaded with gold and ornaments, veritable bundles
of clothes, did not hinder the Faubourg Saint-Germain from visiting,
surrounding, and looking after the young convert, the plaything of these
noble ladies, a very obedient puppet, whom they showed, whom they took
out, and whose evangelical simplicities, so piquant by contrast with
her past, they quoted everywhere. Perhaps deep down in the heart of her
amiable patronesses a hope lay of meeting in this circle of returned
Orientals some new subject for conversion, an occasion for filling the
aristocratic Chapel of Missions again with the touching spectacle of one
of those adult baptisms which carry one back to the first days of the
Faith, far away on the banks of the Jordan; baptisms soon to be followed
by a first communion, a confirmation, when baptismal vows are renewed;
occasions when a godmother may accompany her godchild, guide the young
soul, share in the naive transports of a newly awakened belief, and
may also display a choice of toilettes, delicately graduated to the
importance of the sentiment of the ceremony. But not every day does it
happen that one of the leaders of finance brings to Paris an Armenian
slave as his wife.
A slave! That was the blot in the past of this woman from the East,
bought in the bazaar of Adrianople for the Emperor of Morocco, then
sold, when he died and his harem was dispersed, to the young Bey Ahmed.
Hemerlingue had married her when she passed from this new seraglio,
but she could not be received at Tunis, where no woman--Moor, Turk or
European--would consent to treat a former slave as an equal, on account
of a prejudice like that which separates the creoles from the best
disguised quadroons. Even in Paris the Hemerlingues found this
invincible prejudice among the small foreign colonies, constituted,
as they were, of little circles full of susceptibilities and local
traditions. Yamina thus passed two or three years in a complete solitude
whose leisure and spiteful feelings she well knew how to utilize,
for she was an ambitious woman endowed with extraordinary will and
persistence. She learned French thoroughly, said farewell to her
embroidered vests and pantaloons of red silk, accustomed her figure and
her walk to European toilettes, to the inconvenience of long dresses,
and then, one night at the opera, showed the astonished Parisians
the spectacle, a little uncivilized still, but delicate, elegant, and
original, of a Mohammedan in a costume of _Leonard’s_.
Public-domain text, read in full here on John Shaqi.
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