He who breathes his last over there, lying in his blood-stained bath,
has never known this sacred flame. Egoistical and hard, he has lived up
to the last for show, throwing out his chest in a bubble of vanity. And
this vanity was what was best in him. It alone had held him firm and
upright so long; it alone clinched his teeth on the groans of his
last agony. In the damp garden the water drips sadly. The bugle of the
firemen sounds the curfew. “Go and look at No. 7,” says the mistress,
“he will never have done with his bath.” The attendant goes, and utters
a cry of fright, of horror: “Oh, madame, he is dead! But it is not the
same man.” They go, but nobody can recognise the fine gentleman who
entered a short time ago, in this death’s-head puppet, the head leaning
on the edge of the bath, a face where the blood mingles with paint and
powder, all the limbs lying in the supreme lassitude of a part played
to the end--to the death of the actor. Two cuts of the razor across the
magnificent chest, and all the factitious majesty has burst and resolved
itself into this nameless horror, this heap of mud, of blood, of spoiled
and dead flesh, where, unrecognisable, lies the man of appearances, the
Marquis Louis-Marie-Agenor de Monpavon.
MEMOIRS OF AN OFFICE PORTER THE LAST LEAVES
I put down in haste and with an agitated pen the terrible events of
which I have been the plaything for the last few days. This time it
is all up with the Territorial and with my ambitious dreams. Disputed
bills, men in possession, visits of the police, all our books in the
hands of the courts, the governor fled, Bois l’Hery, the director, in
prison, another--Monpavon--disappeared. My brain reels in the midst of
these catastrophes. And if I had obeyed the warnings of reason, I should
have been quietly six months ago at Montbars cultivating my vineyard,
with no other care than that of seeing the clusters grow round and
golden in the good Burgundian sun, and to gather from the leaves, after
the dew, the little gray snails, so excellent when they are fried.
I should have built for myself with my savings, at the end of the
vineyard, on the height--I can see the place at this moment--a tower in
rough stone, like M. Chalmette’s, so convenient for an afternoon nap,
while the quails are chirping round the place. But always misled by
deceiving illusions, I wished to enrich myself, speculate, meddle in
finance, chain my fortune to the car of the conquerors of the day; and
now here I am back again in the saddest pages of my history, clerk in
a bankrupt establishment, my duty to answer a horde of creditors, of
shareholders drunk with fury, who load my white hairs with the worst
outrages, and would like to make me responsible for the ruin of the
Nabob and the flight of the governor; as if I myself was not as cruelly
struck by the loss of my four years of arrears, and my seven thousand
francs which I had confided to that scoundrel of Paganetti de
Porto-Vecchio.
Public-domain text, read in full here on John Shaqi.
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