The windows had just been thrown open upon the curved balcony over
the boulevard, now at the height of its noisy and brilliant stir. The
theatre was surrounded by, as it were, a plinth of gas-jets, a zone of
fire which brought the gloomiest recesses into light, pricked out with
revolving lanterns, like stars journeying through a dark sky. The play
was over. People were coming out. The black and dense crowd on the steps
was dispersing over the white pavements, on its way to spread through
the town the news of a great success and the name of an unknown author
who to-morrow would be triumphant and famous. A splendid evening, so
that the windows of the restaurants were lighted up in gaiety and files
of carriages passed through the streets at a late hour. This tumult of
festivity which the poor Nabob had loved so keenly, which seemed to go
so well with the dizzy whirl of his existence, roused him to life for
a moment. His lips moved, and into his dilated eyes, turned towards
de Gery, there came before he died a pained expression, beseeching and
protesting, as though to call upon him as witness of one of the greatest
and most cruel acts of injustice that Paris has ever committed.
End of the Project Gutenberg EBook of The Nabob, by Alphonse Daudet
Public-domain text, read in full here on John Shaqi.
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