As is often the case in families which were originally in comfortable
circumstances, Aline, being the eldest, had been educated in one of the
best boarding-schools in Paris, Elise had remained there two years with
her; but the two younger ones, having come too late, had been sent to
little day-schools in the quarter and had all their studies to
complete; and it was no easy matter, for the youngest laughed on every
pretext, an exuberant, healthy, youthful laugh, like the warbling of a
lark drunken on green wheat, and flew away out of sight of desk and
symbols, while Mademoiselle Henriette, always haunted by her ideas of
grandeur, her love of "the substantial," was none too eager for study.
That young person of fifteen, to whom her father had bequeathed
something of his imaginative faculty, was already arranging her life in
anticipation, and declared formally that she should marry some one of
birth and should never have more than three children: "A boy for the
name, and two little girls--so that I can dress them alike."
"Yes, that's right," Grandmamma would say, "you shall dress them alike.
Meanwhile, let us see about our participles."
But the most troublesome of all was Elise with her thrice unsuccessful
examination in history, always rejected and preparing herself anew,
subject to attacks of profound terror and self-distrust which led her
to carry that unfortunate handbook of French history with her wherever
she went, and to open it at every instant, in the omnibus, in the
street, even at the breakfast table; but, being already a young woman
and very pretty, she no longer had the mechanical memory of childhood
in which dates and events are incrusted forever. Amid her other
preoccupations the lesson would fly away in a moment, despite the
pupil's apparent application, her long lashes concealing her eyes, her
curls sweeping the page, and her rosy mouth twitching slightly at the
corners as she repeated again and again: "Louis le Hutin, 1314-1316.
Philippe V, le Long, 1316-1322--1322.--Oh! Grandmamma, I am lost. I
shall never learn them." Thereupon Grandmamma would take a hand, help
her to fix her attention, to store away some of those barbarous dates
in the Middle Ages, as sharp-pointed as the helmets of the warriors of
those days. And in the intervals of those manifold tasks, of that
general and constant superintendence, she found time to make pretty
things, to take from her work-basket some piece of knitting or
embroidery, which clung to her as steadfastly as young Elise to her
history of France. Even when she was talking, her fingers were never
unemployed for one moment.
"Do you never rest?" de Gery asked her while she counted in a whisper
the stitches of her embroidery, "three, four, five," in order to vary
the shades.
Public-domain text, read in full here on John Shaqi.
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