Surely this is a most extraordinary, incredible banking-house. And yet
what I am writing is the solemn truth, and Paris is full of financial
establishments of the same sort as ours. Ah! if I ever publish my
memoirs. But let me take up the interrupted thread of my narrative.
When we were all assembled in his office, the manager said to us with
great solemnity:
"Messieurs and dear comrades, the time of our trials is at an end. The
_Caisse Territoriale_ is entering upon a new phase of its existence."
With that he began to tell us about a superb _combinazione_--that is
his favorite word, and he says it in such an insinuating tone!--a
_combinazione_ in which the famous Nabob of whom all the papers are
talking is to have a part. Thus the _Caisse Territoriale_ would be able
to discharge its obligation to its loyal servants, to reward those who
had shown devotion to its service and lop off those who were useless.
This last for me, I imagine. And finally: "Make up your accounts. They
will all be settled to-morrow." Unfortunately he has so often soothed
our feelings with lying words that his discourse produced no effect.
Formerly those fine promises of his always succeeded. On the
announcement of a new _combinazione_, we used to caper about and weep
with joy in the offices, and embrace one another like shipwrecked
sailors at sight of a sail.
Everyone prepared his account for the next day, as he had told us. But
the next day, no Governor. The next day but one, still no Governor. He
had gone on a little journey.
At last, when we were all together, exasperated beyond measure, putting
out our tongues, crazy for the water that he had held to our mouths,
the Governor arrived, dropped into a chair, hid his face in his hands,
and, before we had time to speak to him, exclaimed: "Kill me, kill me!
I am a miserable impostor. The _combinazione_ has fallen through.
_Pechero!_ the _combinazione_ has fallen through!" And he cried and
sobbed, threw himself on his knees, tore out his hair by handfuls and
rolled on the carpet; he called us all by our nicknames, begged us to
take his life, spoke of his wife and children, whom he had utterly
ruined. And not one of us had the courage to complain in the face of
such despair. What do I say? We ended by sharing it. No, never since
theatres existed, has there been such an actor. But to-day, it is all
over, our confidence has departed. When he had gone everybody gave a
shrug. I must confess, however, that for a moment I was shaken. The
assurance with which he talked about discharging me, and the name of
the Nabob, who was so wealthy--
"Do you believe that?" said the cashier. "Why, you'll always be an
innocent, my poor Passajon. Never you fear! The Nabob's in it just
about as much as Moessard's queen was."
And he went back to his shirt-fronts.
Public-domain text, read in full here on John Shaqi.
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