Straight as a statue, with head erect, the old woman strode along under
the arches she had been told to follow, somewhat disturbed by the
incessant rumbling of carriages and by her slow progress, unaccompanied
by the movement of her faithful distaff, which had not quitted her for
fifty years. All these suggestions of enmity, of persecution, the
priest's mysterious words, Cabassu's dark hints, excited and terrified
her. She found therein an explanation of the presentiments which had
taken possession of her so firmly as to tear her away from her habits
and her duties, the superintendence of the Chateau and the care of her
invalid. Strangely enough, by the way, since fortune had cast upon her
son and her that cloak of gold with its heavy folds, Mere Jansoulet had
never become accustomed to it, and was always expecting the sudden
disappearance of their splendor. Who could say that the final crash was
not really beginning now? And suddenly, amid these gloomy thoughts, the
remembrance of the childish scene of a moment before, of the little one
rubbing against her drugget skirt, caused her wrinkled lips to swell in
a loving smile, and, in her joy, she murmured in her _patois_:
"Oh! that little fellow!"
A vast, magnificent, dazzling square, two sheaves of water flying upward
in silver dust, then a great stone bridge, and at the further end a
square building with statues in front of it, and an iron gateway where
carriages were standing, people passing through and a knot of police
officers. That was the place. She made her way bravely through the crowd
as far as a high glass door.
"Your card, my good woman?"
The good woman had no card, but she said simply to one of the ushers
with red lapels who were acting as doorkeepers:
"I am Bernard Jansoulet's mother; I have come to attend my boy's
sitting."
Public-domain text, read in full here on John Shaqi.
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