Adjoining it is a great yard, the yard of a fire-engine house with a
gymnasium, whose poles and swings and horizontal bars, seen indistinctly
over the wall, have the look of gibbets. A bugle rings out in the yard,
and that blast carries the marquis back thirty years, reminds him of his
campaigns in Algeria, the lofty ramparts of Constantine, Mora's arrival
in the regiment, and duels, and select card-parties. Ah! how well life
began! What a pity that those infernal cards--Ps--ps--ps--However, it's
worth something to have saved one's breeding.
"Monsieur," said the attendant, "your bath is ready."
* * * * *
At that moment Madame Jenkins, pale and gasping for breath, entered
Andre's studio, drawn thither by an instinct stronger than her will, by
the feeling that she must embrace her child before she died. And yet,
when she opened the door--he had given her a duplicate key--it was a
relief to her to see that he had not returned, that her excitement,
increased by a long walk, an unusual experience in her luxurious life as
a woman of wealth, would have time to subside. No one in the room. But
on the table the little note that he always left when he went out, so
that his mother, whose visits, because of Jenkins' tyranny, had become
more and more infrequent and brief, might know where he was, and either
wait for him or join him. Those two had not ceased to love each other
dearly, profoundly, despite the cruel circumstances which compelled them
to introduce into their relations as mother and son the precautions, the
clandestine mystery of a different kind of love.
"I am at my rehearsal," said the little note to-day, "I shall return
about seven."
Public-domain text, read in full here on John Shaqi.
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