It was the most magnificent funeral one can imagine, the last honors
paid in all their vain pomp, as sonorous and as hollow as the rhythmic
accompaniment upon asses' skins draped in crape. First, the white
surplices of the clergy indistinctly seen amid the black trappings of
the first five carriages; then, drawn by six black horses, veritable
horses of Erebus, as black, as slow, as sluggish as its flood, came the
funeral car, all bedecked with plumes and fringe, embroidered with
silver, with heavy tears, with heraldic coronets surmounting gigantic
M's, a prophetic initial which seemed to be that of Death (_Mort_)
itself, of the Duchess Death decorated with eight _fleurons_. Such a
mass of canopies and heavy draperies concealed the ignoble framework of
the hearse that it shivered and swayed from top to bottom at every step,
as if oppressed by the majesty of its dead. On the casket lay the sword,
the coat, the embroidered hat, garments of state which had never been
used, resplendent with gold and pearl in the dark chapel formed by the
hangings, amid the beautiful display of fresh flowers which told that
the season was spring despite the sulkiness of the sky. Ten paces
behind came the people of the duke's household; and then, in solitary
majesty, an official in a cloak carrying the decorations, a veritable
show-case of all the orders in the known world, crosses, ribbons of all
hues, which more than covered the black velvet cushion fringed with
silver.
The master of ceremonies came next, at the head of the committee of the
Corps Legislatif, a dozen or more deputies chosen by lot, in their midst
the tall figure of the Nabob, dressed for the first time in his official
costume, as if satirical fortune had chosen to give the representative
on trial a foretaste of all the joys of parliamentary life. The friends
of the deceased, who came next in line, formed a very limited
contingent, exceedingly well chosen to lay bare the superficiality and
emptiness of the existence of that great personage, reduced to the
companionship of a theatrical manager thrice insolvent, a picture-dealer
enriched by usury, a nobleman of unsavory reputation and a few
high-livers and boulevard idlers unknown to fame. Thus far everybody was
on foot and bareheaded; in the parliamentary committee a few black silk
skull caps had been timidly donned as they approached the populous
quarters. After the friends came the carriages.
Public-domain text, read in full here on John Shaqi.
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