To-day, after more than a score of centuries of exposure to the salt winds and to the burning sunshine of the south, the walls and pillars of these great buildings have been calcined to a glorious shade of tawny yellow, fit to delight the soul of every artist, whether he views their Titanic but graceful forms outlined against the deep blue of sky and sea on the western horizon, or against the equally lovely background of grey and violet mountains to the east. But it was not always thus. The porous local travertine that gave their building material to the Greeks of the sixth century before Christ was once carefully stuccoed, and, in the manner of Hellenic art, painted in the most brilliant hues of azure and vermilion, so that it becomes hard for us to realise the original effect of such gorgeous masses standing erect in a landscape that is itself fraught with glowing colour. But better to appreciate the magnificence before us, let us give a brief technical description of the greatest of the temples in the choice words of an eminent French antiquary. “The largest and most elegant, and likewise the oldest of the Temples of Paestum, is that commonly known by the name of the Temple of Neptune. This building shares, together with the Temple of Theseus at Athens, the honour of being the best preserved monument of the Doric order in existence, and the impression of grandeur that it gives to the spectator rivals even the first sight of the Parthenon itself. In front of the building is a platform in the midst of which can be seen the hollow space that formerly held the altar of sacrifice, for according to the practice of the Greek religion, these rites of blood-shedding took place in the open air and outside the temple. With a length of 190 feet and a breadth of 84 feet, this building is hypoethral, which means that the _cella_, or sanctuary that held the statue of the deity, was constructed open to the sky. It is peripteral, and presents a row of six pillars fluted at base and top, with twelve on each side, making thirty-six in all. The _cella_ itself in the interior is upheld by sixteen columns about six feet in diameter, which in their turn are surmounted by two rows of smaller pillars above that support the roof. With the exception of one side of the upper stage of the interior every column of the temple remains intact, as do likewise the entablature and pediments. Only the wall of the _cella_ has been pulled down; doubtless to supply material for building.”(8)