The Naples RivieraVaughan, Herbert M. (Herbert Millingchamp)
Philosophy
The Naples Riviera
Vaughan, Herbert M. (Herbert Millingchamp)
Italy -- Description and travel; Naples, Bay of (Italy)
before a meagre fire of sputtering smoky logs, with Vesuvius wrapped from
crest to base in a white mantle of new fallen snow, and with an icy
_tramontana_ from the bleak Abruzzi howling round the house, bending the
bay trees and penetrating into every corner of the chamber, is by no means
the ideal picture of a winter in the Sunny South; yet this is only what
the traveller must be prepared to face, and is very likely to obtain. Nor
is the cold compensated for by any advantages in the neighbourhood itself,
for there is but the high road from Castellamare which passes through the
town and leads above the seashore to Massa Lubrense. It is all very well
in its way, but in wet weather its surface is one sheet of slippery mud,
and the streams pouring down the hillside make it chilly and damp for all
who are not quick walkers. Besides this not very attractive and soon
exploited walk, there are only the _vicoletti_, the narrow steep rocky
paths running up hill, which make rough going and give little pleasure,
for they are almost all bounded on either side by high stone walls that
jealously exclude the view. So much for Sorrento in its winter dress. But
when the spring comes, here truly is a transformation from cold and
torpor! The soft warm air is redolent of the penetrating fragrance of
orange blossom, of stocks, of jessamine, of wallflower, and of a hundred
odorous plants and shrubs from each garden and grove behind the many
obstructing walls. The balconies and gate-pillars are draped in scented
masses of the beautiful wistaria, which in Italy produces its long pendant
bunches of purple flowers before putting forth its bronze-coloured leaves.
Cascades of white and yellow banksia roses fall over each confining
barrier, or else their stems may be seen climbing like huge serpents up
the trunks of pine and olive, to burst forth amidst the topmost boughs
into floral rockets against the cloudless sky. The ravines with which the
whole of the Piano di Sorrento is intersected are filled with a perfect
jungle of fresh spring foliage, amidst whose varied tints of green appear
here and there the bright red shoots of the pomegranate trees bursting
into leaf. In the heavily perfumed air at dusk, or when the bright
moonlight is flooding the whole scene and is turning the Bay into a mirror
of molten silver, the song of the innumerable nightingales can be heard
resounding from all sides; alas! too often sweet songs of sorrow for nests
despoiled by the ruthless hands of young Sorrentine imps, as in the days
of the Georgics.
“Qualis populeâ mærens Philomela sub umbrâ
Amissos queritur fetus, quos durus arator
Observans nido implumes detraxit, at illa
Flet noctem, ramoque sedens miserabile carmen
Integrat, et mœstis late loca questibus implet.”
Public-domain text, read in full here on John Shaqi.
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