"The whole resembles some ancient and dainty Dutch flower-bed. Along the crest of Campden Hill lie the golden crocuses of West Kensington. They are, as it were, the first fiery fringe of the whole. Northward lies our hyacinth Barker, with all his blue hyacinths. Round to the south-west run the green rushes of Wilson of Bayswater, and a line of violet irises (aptly symbolised by Mr. Buck) complete the whole. The argent exterior ... (I am losing the style. I should have said 'Curving with a whisk' instead of merely 'Curving.' Also I should have called the hyacinths 'sudden.' I cannot keep this up. War is too rapid for this style of writing. Please ask office-boy to insert _mots justes_.) "The truth is that there is nothing to report. That commonplace element which is always ready to devour all beautiful things (as the Black Pig in the Irish Mythology will finally devour the stars and gods); that commonplace element, as I say, has in its Black Piggish way devoured finally the chances of any romance in this affair; that which once consisted of absurd but thrilling combats in the streets, has degenerated into something which is the very prose of warfare--it has degenerated into a siege. A siege may be defined as a peace plus the inconvenience of war. Of course Wayne cannot hold out. There is no more chance of help from anywhere else than of ships from the moon. And if old Wayne had stocked his street with tinned meats till all his garrison had to sit on them, he couldn't hold out for more than a month or two. As a matter of melancholy fact, he has done something rather like this. He has stocked his street with food until there must be uncommonly little room to turn round. But what is the good? To hold out for all that time and then to give in of necessity, what does it mean? It means waiting until your victories are forgotten, and then taking the trouble to be defeated. I cannot understand how Wayne can be so inartistic. "And how odd it is that one views a thing quite differently when one knows it is defeated! I always thought Wayne was rather fine. But now, when I know that he is done for, there seem to be nothing else but Wayne. All the streets seem to point at him, all the chimneys seem to lean towards him. I suppose it is a morbid feeling; but Pump Street seems to be the only part of London that I feel physically. I suppose, I say, that it is morbid. I suppose it is exactly how a man feels about his heart when his heart is weak. 'Pump Street'--the heart is a pump. And I am drivelling.