"Will you pardon a little egotism? Every one likes a little egotism, when it takes the form, as mine does in this case, of a disgraceful confession. The thing is really a little interesting, because it shows how the merely artistic habit has bitten into men like me. It was the most intensely exciting occurrence that had ever come to me in my life; and I was really intensely excited about it. And yet, as we turned that corner, the first impression I had was of something that had nothing to do with the fight at all. I was stricken from the sky as by a thunderbolt, by the height of the Waterworks Tower on Campden Hill. I don't know whether Londoners generally realise how high it looks when one comes out, in this way, almost immediately under it. For the second it seemed to me that at the foot of it even human war was a triviality. For the second I felt as if I had been drunk with some trivial orgie, and that I had been sobered by the shock of that shadow. A moment afterwards, I realised that under it was going on something more enduring than stone, and something wilder than the dizziest height--the agony of man. And I knew that, compared to that, this overwhelming tower was itself a triviality; it was a mere stalk of stone which humanity could snap like a stick. "I don't know why I have talked so much about this silly old Waterworks Tower, which at the very best was only a tremendous background. It was that, certainly, a sombre and awful landscape, against which our figures were relieved. But I think the real reason was, that there was in my own mind so sharp a transition from the tower of stone to the man of flesh. For what I saw first when I had shaken off, as it were, the shadow of the tower, was a man, and a man I knew. "Lambert stood at the further corner of the street that curved round the tower, his figure outlined in some degree by the beginning of moonrise. He looked magnificent, a hero; but he looked something much more interesting than that. He was, as it happened, in almost precisely the same swaggering attitude in which he had stood nearly fifteen years ago, when he swung his walking-stick and struck it into the ground, and told me that all my subtlety was drivel. And, upon my soul, I think he required more courage to say that than to fight as he does now. For then he was fighting against something that was in the ascendant, fashionable, and victorious. And now he is fighting (at the risk of his life, no doubt) merely against something which is already dead, which is impossible, futile; of which nothing has been more impossible and futile than this very sortie which has brought him into contact with it. People nowadays allow infinitely too little for the psychological sense of victory as a factor in affairs. Then he was attacking the degraded but undoubtedly victorious Quin; now he is attacking the interesting but totally extinguished Wayne.