The narrative of an explorer in tropical South AfricaGalton, Francis
History
The narrative of an explorer in tropical South Africa
Galton, Francis
South Africa -- Description and travel
I had a difficulty with Nangoro, from not having complied with one of
the principal Ovampo customs, on first entering the country. I did not
like it, though if I had had a proper idea of its importance, I should,
I suppose, have submitted with the best grace I could. The Ovampo are,
as all blacks and most whites, very superstitious; a particular fear
seems to possess them of a stranger charming away the life of a person
he may happen to eat with. Why dinner time should be the season when the
charm has most power I do not know; but such is considered to be the
case. Accordingly, counter-charms are used; sometimes one is in fashion,
sometimes another; now, Nangoro, when a young man, being a person of
considerable imagination, framed a counter-charm for his own particular
use, and this being of course taken up by the court, is at present the
fashion of the whole of Ovampo-land, and it was to this counter-charm
that I personally objected. The stranger sits down, closes his eyes, and
raises his face to heaven; then the Ovampo initiator takes some water
into his mouth, gargles it well, and, standing over his victim, delivers
it full in his face. This ceremony having once been performed, all goes
on smoothly, though I am inclined to think that, like vaccination, it
requires to be repeated at intervals, as its effect dies away. Old Netjo
yielded to my objections the day I dined in his house, as Chik had done
when I first met him, and compromised the matter by rubbing butter
between my eyes instead. But Nangoro’s mind was not so easily satisfied;
he was harassed with suspicions; and though he invited me to drink beer
at his palace, yet he contrived to be out of the way when the beer was
brought in, and made the three courtiers sit down with me instead.
The plan of all the Ovampo houses is intricate, but Nangoro’s was a
perfect labyrinth, and I could never find my way about it. Conceive walls
of palisading eight or nine feet high, the poles of which are squared,
smoothed, and driven in so close together, that it is only here and there
that an arrow could be shot out between them. With these an irregularly
circular place of about one hundred yards across is walled, one entrance
being left, and to that entrance a broad double pathway leads, which
is marked and divided by slight hedges. Within the outer circle other
walls of palisading are placed in various ways; on one side a passage
leads to the cattle kraal, in another place there is one leading to the
dancing-court; passages lead to Nangoro’s rooms, to the granaries, to
the threshing floors, to the women’s apartments, and to those of the
attendants and of the three courtiers. I tried to sketch out the plan
several times, but my head would never take it in.
Public-domain text, read in full here on John Shaqi.
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