The National Geographic Magazine, Vol. I., No. 3, July, 1889Various
Science
The National Geographic Magazine, Vol. I., No. 3, July, 1889
Various
Geography -- Periodicals
A method used by Mr. F. H. King in the preparation of his large map of
the United States is described by him in a letter to Messrs. Harden,
and published by them in the place mentioned. A solid block of plaster
is used,--the contoured map being transferred to it--and the plaster is
carved down to produce a series of steps like those made by building up
the contours. The shoulders are then carved down to produce a
continuous surface. This method is one of the best of those that
require carving instead of modeling.
Many other methods of producing relief maps might be mentioned, but, as
most of them have been used only to make special models, they need not
be described. The method that has been more used than any other still
remains to be described. It is that which the writer has used almost
exclusively, and consists in building up the model and modeling the
detail, instead of carving it. It is a maxim of the modeler that the
subject should be built up as far as possible, should be produced by
adding bits of clay or wax, or other material, and not by carving away
what is already on,--by addition and not by subtraction. This may be
illustrated by a reference to the methods of the sculptor. The bust, or
figure, or whatever the subject may be, is first modeled in clay or
wax; from this model a plaster mould is made, and from this mould a
plaster cast is taken. This cast is called the original, and the
finished production, whether in marble, bronze, or any other hard
substance, is simply a copy of this original. No one ever attempts to
produce the finished bust or figure directly from the object itself.
Even where the artist has for a guide a death mask, the procedure does
not change. The bust is first made in clay, and this clay model, as a
rule, contains all the detail which subsequently appears in the
finished bust. It seems strange, therefore, that the relief map maker
should use a method which the sculptor, with infinitely more skill and
judgment, is afraid to use; and this on subjects that do not differ as
much as might be imagined.
The contour interval to be used depends on the use to which the model
is to be put. It is not always necessary to carry into the model all
the contour lines upon the map: I may go further and say that it is not
always desirable to do so. The number to be used depends to some extent
on the skill of the modeler. As already stated, the contours are only a
means of control, and one modeler requires more than another. To build
into a model every contour in a contoured map of ten foot interval is a
very laborious proceeding, and not worth the time it takes, as in nine
out of ten maps of such interval only the fifty-foot or the one
hundred-foot curves are definitely fixed, the intermediate lines being
merely filled in. This filling in can be done as well, or better, by
the modeler.
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