The Native Born; or, the Rajah's PeopleWylie, I. A. R. (Ida Alexa Ross)
General
The Native Born; or, the Rajah's People
Wylie, I. A. R. (Ida Alexa Ross)
India -- Fiction
"By no means. We have finessed, that's all. Just at present I feel
impelled to--well, give you a hint under the table."
"Why?"
"Miss Beatrice, more or less I stand in the position of a skilled and
rich player who has tempted a less wealthy partner into a doubtful
game. If my plans fail, I can look after myself; but I shouldn't like
to get you in a mess. If I give you a hint, will you keep counsel?"
"I suppose I must."
"Well, then, it's just this. Your mother has invested the greater part
of her money in the Marut Company. I did not want her to--I'll say
that for myself--but she has the speculating craze, and nothing would
stop her. Of course the mine will be an immense success--but if it
isn't, I should like to see you, as my partner, well out of reach of
the results."
"Now I understand. Thank you."
"As to the Rajah, I think you had better let him run before things go
too far. I'm afraid he has got one or two silly ideas in his head. You
had better make your engagement public."
"Thank you." She looked perfectly calm and collected. The red had died
out of her cheeks and left them their pale rose, which not even the
hottest Indian sun had been able to wither. Still, her tone had
something in it which startled even the self-possessed Travers.
"By Jove!" he began, "are you angry--?"
She passed over the question before he had time to finish it.
"I am going into the garden to look for my mother," she said. "The
band is just beginning. _Au revoir_."
Travers watched her curiously and admiringly as she walked across the
parquetry flooring to the door. It requires a good deal of
self-possession and carriage to walk gracefully under the scrutiny of
critical eyes, and this self-possession and carriage were the final
clauses to Beatrice's claim to physical perfection. There was a
natural dignity in her bearing and an absolute balance in all her
movements which Travers had never seen before combined in one woman.
At first sight an observer called her pretty, and then, as one by one
the perfect details unfolded themselves to a closer criticism,
beautiful. He was never disappointed, and even the most carping and
envious of Marut's female contingent had failed to find her vulnerable
point. So they had turned with more success to her character, and
proceeded there with their work of destruction. Her beauty they left
unquestioned.
Public-domain text, read in full here on John Shaqi.
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