Bryaxis executed in brass statues of Æsculapius and Seleucus;[1470] Bœdas[1471] a figure in adoration; Baton, an Apollo and a Juno, which are in the Temple of Concord[1472] at Rome. Ctesilaüs[1473] executed a statue of a man fainting from his wounds, in the expression of which may be seen how little life remains;[1474] as also the Olympian Pericles,[1475] well worthy of its title: indeed, it is one of the marvellous adjuncts of this art, that it renders men who are already celebrated even more so. Cephisodotus[1476] is the artist of an admirable Minerva, now erected in the port of Athens; as also of the altar before the Temple of Jupiter Servator,[1477] at the same place, to which, indeed, few works are comparable. Canachus[1478] executed a nude Apollo, which is known as the “Philesian:”[1479] it is at Didymi,[1480] and is composed of bronze that was fused at Ægina. He also made a stag with it, so nicely poised on its hoofs, as to admit of a thread being passed beneath. One[1481] fore-foot, too, and the alternate hind-foot are so made as firmly to grip the base, the socket being[1482] so indented on either side, as to admit of the figure being thrown at pleasure upon alternate feet. Another work of his was the boys known as the “Celetizontes.”[1483] Chæreas made statues of Alexander the Great and of his father Philip. Desilaüs[1484] made a Doryphoros[1485] and a wounded Amazon; and Demetrius[1486] a statue of Lysimache, who was priestess of Minerva sixty-four years. This statuary also made the Minerva, which has the name of Musica,[1487] and so called because the dragons on its Gorgon’s head vibrate at the sound of the lyre; also an equestrian statue of Simon, the first writer on the art of equitation.[1488] Dædalus,[1489] who is highly esteemed as a modeller in clay, made two brazen figures of youths using the body-scraper;[1490] and Dinomenes executed figures of Protesilaüs[1491] and Pythodemus the wrestler.