The Natural History of Pliny, Volume 6 (of 6)Pliny, the Elder
History
The Natural History of Pliny, Volume 6 (of 6)
Pliny, the Elder
Natural history -- Pre-Linnean works
There is a new invention too, which we must not omit to notice. Not
only do we consecrate in our libraries, in gold or silver, or at all
events, in bronze, those whose immortal spirits hold converse with
us in those places, but we even go so far as to reproduce the ideal
of features, all remembrance of which has ceased to exist; and our
regrets give existence to likenesses that have not been transmitted
to us, as in the case of Homer, for example.[1807] And indeed, it is
my opinion, that nothing can be a greater proof of having achieved
success in life, than a lasting desire on the part of one’s fellow-men,
to know what one’s features were. This practice of grouping portraits
was first introduced at Rome by Asinius Pollio, who was also the
first to establish a public library, and so make the works of genius
the property of the public. Whether the kings of Alexandria and of
Pergamus, who had so energetically rivalled each other in forming
libraries, had previously introduced this practice, I cannot so easily
say.
That a strong passion for portraits formerly existed, is attested
both by Atticus, the friend of Cicero, who wrote a work on this
subject,[1808] and by M. Varro, who conceived the very liberal idea of
inserting, by some means[1809] or other, in his numerous volumes, the
portraits of seven hundred individuals; as he could not bear the idea
that all traces of their features should be lost, or that the lapse of
centuries should get the better of mankind. Thus was he the inventor
of a benefit to his fellow-men, that might have been envied by the gods
themselves; for not only did he confer upon them immortality, but he
transmitted them, too, to all parts of the earth; so that everywhere
it might be possible for them to be present, and for each to occupy
his niche. This service, too, Varro conferred upon persons who were no
members of his own family.
CHAP. 3. (3.)—WHEN SHIELDS WERE FIRST INVENTED WITH PORTRAITS UPON
THEM; AND WHEN THEY WERE FIRST ERECTED IN PUBLIC.
So far as I can learn, Appius Claudius, who was consul with P.
Servilius, in the year of the City, 259, was the first to dedicate
shields[1810] in honour of his own family in a sacred or public
place.[1811] For he placed representations of his ancestors in the
Temple of Bellona, and desired that they might be erected in an
elevated spot, so as to be seen, and the inscriptions reciting their
honours read. A truly graceful device; more particularly when a
multitude of children, represented by so many tiny figures, displays
those germs, as it were, which are destined to continue the line:
shields such as these, no one can look at without a feeling of pleasure
and lively interest.
CHAP. 4.—WHEN THESE SHIELDS WERE FIRST PLACED IN PRIVATE HOUSES.
Public-domain text, read in full here on John Shaqi.
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