And this is essentially the Christian ideal, that spirit shall be lord of nature. I ought to reject my natural life, accounting it not my life at all. Until shaped by myself, it is merely my opportunity for life, material furnished, out of which my true and conscious life may be constructed. Widely is this contrasted with the pagan conceptions, where man appears with powers as fixed as the things around him. Indeed, in many forms of paganism there is no distinction between persons and things. They are blended. And such blending usually operates to the disparagement of the person; for things being more numerous, and their laws more urgent, the powers of man become lost in those of nature. Or if distinction is made, and men in some dim fashion become aware that they are different from things, still it is the tendency of paganism to subordinate person to nature. The child is sacrificed to the sun. The sun is not thought of as existing for the child. From the Christian point of view everything seems turned upside down. Man is absorbed in natural forces, natural forces are reverenced as divine, and self-consciousness--if noticed at all--is regarded as an impertinent accident. In the Christian ideal all this is reversed. Man is called to be master of himself, and therefore of all else. The many beautiful adjustments of the natural world are thought to possess dignity only so far as they accept the conscious purposes put by us in their keeping. And in man himself goodness is held to exist only in proportion as his conduct expresses fullness of self-consciousness, fullness of direction, and fullness of conscious conjunction with other persons. I do not see how we can escape this conclusion. The careful argumentation through which the previous chapters have brought us obliges us to count conduct valuable in proportion as it bears the impress of self-conscious mind. III Yet it must be owned that during the last few centuries doubts have arisen about the justice of this Christian ideal. The simple conception of a world of spirit and a world of nature arrayed against each other, the one of them exactly what the other is not, the world of spirit the superior, the world of nature to be frowned on, used possibly, but always in subordination to spiritual purposes,--this view, dominant as it was in the Middle Ages, and still largely influential, has been steadily falling into disrepute. There is even a tendency in present estimates to reverse the ancient valuation and allow superiority to nature. Such a transformation is strikingly evident in those sensitive recorders of human ideals, the Fine Arts. Let us see what at different times they have judged best worthy of record.