She tapped his cheek lightly with her fan. "Just to show you how
forgiving I am, I am going to ask you to go riding with me. The late
afternoons are lovely now, and I've found a good horse for you. I
suppose you ride?"
"I love it."
"Wednesday, at five, then." She turned to another guest, and Kirk
leaned back to take in the scene about him.
Like most Latin-American cities, Panama prides herself upon her
government theatre, which is in truth very beautiful. Although it
remains dark most of the year, its brief period of opera is celebrated
by a notable outpouring. To-night the magnificent white-and-gold
auditorium was filled to the topmost gallery, and the two circles of
boxes were crowded with the flower of Panamanian society, tourists from
the North, and Americans from the whole length of the Canal Zone. Kirk
himself had seen to running a theatre special from Colon, and
recognized all six of the Commissioners, with their families. It was an
exceedingly well-dressed audience, and although the pit was plentifully
sprinkled with men in white, the two lower galleries were in solid
full-dress. Bejewelled women in elaborate gowns lent the affair almost
the elegance of a night at the Metropolitan, while the flash of many
uniforms made the scene colorful.
Suddenly the orchestra broke into the national air, and with a great
rustling and turning of heads the audience rose to its feet. In the
centre box of the first tier, ornately hung with flags and a coat of
arms, Anthony beheld a giant black man of majestic appearance, drawn to
his full height and flanked by a half-dozen aides in uniform, all at a
stiff military salute.
"That is President Galleo," Edith told him.
"Jove! He's a regal-looking chap," Kirk exclaimed.
"He's very much of a man, too, yet even here there is a color line.
Nobody acknowledges it, but the old Castilian families are keenly aware
of it just the same."
As the last measured strain died out the audience reseated itself, the
introduction to "La Tosca" sounded, and the curtain rose. Although the
names of the performers were unknown to Kirk, their voices were
remarkably good, and he soon became absorbed in the drama. A sudden
lonesomeness surged over him as he recalled another night when he and
Darwin K. Anthony had heard these same notes sung. But then they had
sat enthralled by the art of Caruso, Scotti, and the ravishing
Cavalieri. It had been one of the rare hours when he and his father had
felt themselves really in sympathy. The Governor had come down for some
fabulous directors' meeting, he remembered, and had wired his son to
run in from New Haven for the evening. They had been real chums that
night, and even at their modest little supper afterward, when the old
gentleman had rowed with the waiter and cursed his dyspepsia, they had
laughed and chatted like cronies. Yet a week later they had quarrelled.
Public-domain text, read in full here on John Shaqi.
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