Edith Cortlandt was a woman very sure of herself in most things. A
situation that might have proved embarrassing to one less tactful she
accepted quite as a matter of course, rather enjoying the exercise of
her influence, and never doubting her power to keep the friendship on
any footing she chose. Kirk's frank, boyish gratitude for the favors he
had received made it easy for her to encourage the growth of an
intimacy that she acknowledged charming, while she sincerely believed
that he would be helped by it. Finding him responsive, she deliberately
set herself to please him. She studied him covertly and set her moods
to match his--not a difficult task, since he was merely a normal,
healthy young man. Always faultless in her attire, she took even more
than ordinary pains with her appearance, and it was not long before
Kirk was naively surprised to find that she no longer seemed older than
he--that she was, in fact, an exceedingly handsome woman. This gradual
metamorphosis depended more than anything else, perhaps, upon the
girlish humor that now possessed her. She was no longer brilliant and
chilly, but gay, smiling, and unaffected.
Daytimes, they rambled about the crooked streets, bargain-hunting in
the Chinese shops, or drove beneath the stately royal palms of Ancon;
evenings, they loitered about the cool verandas of the Tivoli or
strolled down into the town to watch the crowds in the plazas. Once in
a while Cortlandt went with them, but he was usually uncommunicative,
and they scarcely felt his presence. On the few occasions when he gave
himself rein, Kirk was compelled to feel for him a surprised and
half-grudging respect. Unlike most silent men, when he did talk he
talked easily and well.
Several days passed thus, during which Anthony fully recovered from his
experience at Colon. Then a ship arrived from New York, but before he
had summoned courage to ask his friends for a loan he received, a
letter forwarded from Colon by the American consul, a perusal of which
not only dumfounded him, but entirely altered his plans.
It was typewritten, on plain stationery; there was neither heading nor
signature, yet he knew quite well from whom it came. It read as follows:
Don't cable again, or the stupidity of the police may fail to
protect you. The others got away safely and you would be mad
to return alone. I can't and won't help you now. This time
you went too far. You have made your bed, now lie in it. I
don't believe in miracles, but if you can straighten up and
make a man of yourself, I'll help you face this trouble;
otherwise don't call on me for anything. I'm through.
Public-domain text, read in full here on John Shaqi.
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