Though her lids still drooped she was half smiling as she swayed. “It may be the spring; or perhaps I have caught the pastoral mood of Mr. Byrd's work; but I should like to dance a little. Music,” her palms were lifted in repudiation, “is unnecessary. One has the birds.” “Good for you, Felicity! That _will_ be fun,” Constance exclaimed delightedly. “You don't dance half often enough, bad girl. Come along, people, let's sit on the porch steps.” They arranged themselves to watch, Constance and Mary on the upper step, Stefan on the lower, his shoulders against his wife's knees, while Felicity dexterously slipped off her sandals and stockings. Her dress, modeled probably on that of the central figure in Botticelli's Spring, was of white chiffon, embroidered with occasional formal sprigs of green leaves and hyacinth-blue flowers, and kilted up at bust and thigh. Her loosely draped sleeves hung barely to the elbow. A line of green crossed from the shoulders under each breast, and her hair, tightly bound, was decorated with another narrow band of green. She looked younger than in the city--almost virginal. Stooping low, she gathered a handful of blue scylla from the grass, Mary barely checking an exclamation at this ravishing of her beloved bulbs. Then Felicity lay down upon the grass; her eyes closed; she seemed asleep. They waited silently for some minutes. Stefan began to fidget. Suddenly a robin called. Felicity's eyes opened. They looked calm and dewy, like a child's. She raised her head--the robin called again. Felicity looked about her, at the flowers in her hand, the trees, the sky. Her face broke into smiles, she rose tall, taller, feet on tiptoe, hands reaching skyward. It was the waking of spring. Then she began to dance. Gone was the old languor, the dreamy, hushed steps of her former method. Now she appeared to dart about the lawn like a swallow, following the calls of the birds. She would stand poised to listen, her ear would catch a twitter, and she was gone; flitting, skimming, seeming not to touch the earth. She danced to the flowers in her hand, to the trees, the sky, her face aglint with changing smiles, her skirts rippling like water. At last the blue flowers seemed to claim her solely. She held them sunward, held them close, always swaying to the silent melody of the spring. She kissed them, pressed them to her heart; she sank downward, like a bird with folding wings, above a clump of scylla; her arms encircled them, her head bent to her knees--she was still. Constance broke the spell with prolonged applause; Mary was breathless with admiration; Stefan rose, and after prowling restlessly for a moment, hurried to the dancer and stooped to lift her.