Thus started, the fuse of publicity burnt brightly. Constance's carefully planned follow-up articles appeared, and reporters besieged the Byrds' studio. Unfortunately for Mary, these gentry soon discovered that she was the Danaë's original, which fact created a mild succès de scandale. Personal paragraphs appeared about her and her writing, and, greatly embarrassed, she disconnected the door-bell for over a week. But the picture was all the more talked about. In a week Constantine had it on exhibition; in three, he had sold it for five thousand dollars to a tobacco millionaire. “Mary,” groaned Stefan when he heard the news, “we have given in to Mammon. We are capitalists.” “Oh, dear, think of our beautiful picture going to some odious nouveau riche!” Mary sighed. But she was immeasurably relieved that Stefan's name was made, and that they were permanently lifted from the ranks of the needy. That very day, as if to illustrate their change of status, Mrs. Corriani puffed up the stairs with the news that the flat immediately below them had been abandoned over night. The tenants, a dark couple of questionable habits and nationality, had omitted the formality of paying their rent--the flat was on the market. The outcome was that Stefan and Mary, keeping their studio as a workshop, overflowed into the flat beneath, and found themselves in possession of a bed and bathroom, a kitchen and maid's room, and a sitting room. These they determined to furnish gradually, and Mary looked forward to blissful mornings at antique stores and auctions. She had been brought up amidst the Chippendale, old oak, and brasses of a cathedral close, and new furniture was anathema to her. A telephone and a colored maid-servant were installed. Their picnicking days were over. XIII True to her word, Constance arranged a reception in the Byrds' honor, at which they were to meet Felicity Berber. The promise of this encounter reconciled Stefan to the affair, and he was moreover enthusiastically looking forward to Mary's appearance in her new gown. This had arrived, and lay swathed in tissue paper in its box. In view of their change of fortune they had, in paying the account of seventy-five dollars, concocted a little note to Miss Berber, hoping she would now reconsider her offer, and render them a bill for her design. This note, written and signed by Mary in her upright English hand, brought forth a characteristic reply. On black paper and in vermilion ink arrived two lines of what Mary at first took to be Egyptian hieroglyphics. Studied from different angles, these yielded at last a single sentence: “A gift is a gift, and repays itself.” This was followed by a signature traveling perpendicularly down the page in Chinese fashion. It was outlined in an oblong of red ink, but was itself written in green, the capitals being supplied with tap-roots extending to the base of each name. Mary tossed the letter over to Stefan with a smile. He looked at it judicially.