What sweet laughter it was? How unlike the shrill discord whereby the ordinary work-girl expresses her foolish mirth! For years Sidney Kirkwood had been unused to utter any sound of merriment; even his smiling was done sadly. But of late he had grown conscious of the element of joy in Jane’s character, had accustomed himself to look for its manifestations—to observe the brightening of her eyes which foretold a smile, the moving of her lips which suggested inward laughter—and he knew that herein, as in many another matter, a profound sympathy was transforming him. Sorrow such as he had suffered will leave its mark upon the countenance long after time has done its kindly healing, and in Sidney’s case there was more than the mere personal affliction tending to confirm his life in sadness. With the ripening of his intellect, he saw only more and more reason to condemn and execrate those social disorders of which his own wretched experience was but an illustration. From the first, his friendship with Snowdon had exercised upon him a subduing influence; the old man was stern enough in his criticism of society, but he did not belong to the same school as John Hewett, and the sober authority of his character made appeal to much in Sidney that had found no satisfaction amid the uproar of Clerkenwell Green. For all that, Kirkwood could not become other than himself; his vehemence was moderated, but he never affected to be at one with Snowdon in that grave enthusiasm of far-off hope which at times made the old man’s speech that of an exhorting prophet. Their natural parts were reversed; the young eyes declared that they could see nothing but an horizon of blackest cloud, whilst those enfeebled by years bore ceaseless witness to the raying forth of dawn.