English fiction -- 19th century; London (England) -- Fiction; Poor -- Fiction; Poverty -- Fiction
For three weeks she had belonged to a company on tour in the northern
counties. In accordance with the modern custom—so beneficial to actors
and the public—their repertory consisted of one play, the famous
melodrama, ‘A Secret of the Thames,’ recommended to provincial
audiences by its run of four hundred and thirty-seven nights at a
London theatre. These, to be sure, were not the London actors, but
advertisements in local newspapers gave it to be understood that they
‘made an _ensemble_ in no respect inferior to that which was so long
the delight of the metropolis.’ Starred on the placards was the name of
Mr. Samuel Peel, renowned in the North of England; his was the company,
and his the main glory in the piece. As leading lady he had the
distinguished Miss Erminia Walcott; her part was a trying one, for she
had to be half-strangled by ruffians and flung—most decorously—over the
parapet of London Bridge. In the long list of subordinate performers
occurred two names with which we are familiar, Miss Grace Danver and
Miss Clara Vale. The present evening would be the third and last in a
certain town of Lancashire, one of those remarkable centres of industry
which pollute heaven and earth, and on that account are spoken of with
somewhat more of pride than stirred the Athenian when he named his
Acropolis.
Clara had just risen to stir the fire, compelled to move by the smoke
that was annoying her, when, after a tap at the door, there came in a
young woman of about five-and-twenty, in a plain walking costume, tall,
very slender, pretty, but looking ill. At this moment there was a
slight flush on her cheeks and a brightness in her eyes which obviously
came of some excitement. She paused just after entering and said in an
eager voice, which had a touch of huskiness:
‘What do you think? Miss Walcott’s taken her hook!’
Clara did not allow herself to be moved at this announcement. For
several days what is called unpleasantness had existed between the
leading lady and the manager: in other words, they had been quarrelling
violently on certain professional matters, and Miss Walcott had
threatened to ruin the tour by withdrawing her invaluable services. The
menace was at last executed, in good earnest, and the cause of Grace
Danver’s excitement was that she, as Miss Walcott’s understudy, would
to-night, in all probability, be called upon to take the leading part.
‘I’m glad to hear it,’ Clara replied, very soberly.
‘You don’t look as if you cared much,’ rejoined the other, with a
little irritation.
‘What do you want me to do? Am I to scream with joy because the
greatest actress in the world has got her chance at last?’
Public-domain text, read in full here on John Shaqi.
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