English fiction -- 19th century; London (England) -- Fiction; Poor -- Fiction; Poverty -- Fiction
To give herself plenty of time to dress (the costumes needed for the
part were fortunately simple, and Mr. Peel had advanced her money to
make needful purchases) she left her lodgings at half-past six. It was
a fine evening, but very dark in the two or three by-streets along
which she had to pass to reach the theatre. She waited a minute on the
doorstep to let a troop of female mill-hands go by; their shoes clanked
on the pavement, and they were singing in chorus, a common habit of
their kind in leaving work. Then she started and walked quickly....
Close by the stage-door, which was in a dark, narrow passage, stood a
woman with veiled face, a shawl muffling the upper part of her body.
Since six o’clock she had been waiting about the spot, occasionally
walking to a short distance, but always keeping her face turned towards
the door. One or two persons came up and entered; she observed them,
but held aloof. Another drew near. The woman advanced, and, as she did
so, freed one of her arms from the shawl.
‘That you, Grace?’ said Clara, almost kindly, for in her victorious joy
she was ready to be at peace with all the world.
The answer was something dashed violently in her face—something fluid
and fiery—something that ate into her flesh, that frenzied her with
pain, that drove her shrieking she knew not whither.
Late in the same night, a pointsman, walking along the railway a little
distance out of the town, came upon the body of a woman, train-crushed,
horrible to view. She wore the dress of a lady; a shawl was still
partly wrapped about her, and her hands were gloved. Nothing
discoverable upon her would have helped strangers in the task of
identification, and as for her face—But a missing woman was already
sought by the police, and when certain persons were taken to view this
body, they had no difficulty in pronouncing it that of Grace Danver.
CHAPTER XXIV
THE FAMILY HISTORY PROGRESSES
What could possess John Hewett that, after resting from the day’s work,
he often left his comfortable room late in the evening and rambled
about the streets of that part of London which had surely least
interest for him, the streets which are thronged with idlers, with
carriages going homeward from the theatres, with those who can only
come forth to ply their business when darkness has fallen? Did he seek
food for his antagonism in observing the characteristics of the world
in which he was a stranger, the world which has its garners full and
takes its ease amid superfluity? It could scarcely be that, for since
his wife’s death an indifference seemed to be settling upon him; he no
longer cared to visit the Green or his club on Sunday, and seldom spoke
on the subjects which formerly goaded him to madness. He appeared to be
drawn forth against his will, in spite of weariness, and his look as he
walked on was that of a man who is in search of some one. Yet whom
could he expect to meet in these highways of the West End?
Public-domain text, read in full here on John Shaqi.
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