English fiction -- 19th century; London (England) -- Fiction; Poor -- Fiction; Poverty -- Fiction
Nothing, however, could have detached John’s mind so completely from
its habits of tumult, nor have fixed it so firmly upon the interests of
home, as his recovery of his daughter. From the day of Clara’s
establishment under his roof he thought of her, and of her only. Whilst
working at the filter-factory he remained in imagination by her side,
ceaselessly repeating her words of the night before, eagerly looking
for the hour that would allow him to return to her. Joy and trouble
mingled in an indescribable way to constitute his ordinary mood; one
moment he would laugh at a thought, and before a companion could glance
at him his gladness would be overshadowed as if with the heaviest
anxiety. Men who saw him day after day said at this time that he seemed
to be growing childish; he muttered to himself a good deal, and looked
blankly at you when you addressed him. In the course of a fortnight his
state became more settled, but it was not the cheerful impulse that
predominated. Out of the multitude of thoughts concerning Clara, one
had fixed itself as the main controller of his reflection.
Characteristically, John hit upon what seemed an irremediable
misfortune, and brooded over it with all his might. If only Sidney
Kirkwood were in the same mind as four years ago!
And now was he to believe that what he had been told about Sidney and
Jane Snowdon was misleading? Was the impossible no longer so? He almost
leapt from his chair when he heard that Sidney was the visitor with
whom his daughter had been having her private conversation. How came
they to make this appointment? There was something in Clara’s voice
that set his nerves a-tremble. That night he could not sleep, and next
morning he went to work with a senile quiver in his body. For the first
time for more than two months he turned into a public-house on his way,
just to give himself a little ‘tone.’ The natural result of such a
tonic was to heighten the fever of his imagination; goodness knows how
far he had got in a drama of happiness before he threw off his coat and
settled to his day’s labour.
Clara, in the meanwhile, suffered a corresponding agitation, more
penetrative in proportion to the finer substance of her nature. She did
not know until the scene was over how much vital force it had cost her;
when she took off the veil a fire danced before her eyes, and her limbs
ached and trembled as she lay down in the darkness. All night long she
was acting her part over and over; when she woke up, it was always at
the point where Sidney replied to her, ‘But you are mistaken!’
Public-domain text, read in full here on John Shaqi.
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