English fiction -- 19th century; London (England) -- Fiction; Poor -- Fiction; Poverty -- Fiction
I suppose it was the association of contrast that turned Sidney’s
thoughts to Joseph Snowdon. At all events it was of him he was thinking
in the silence that followed. Which silence having been broken by a tap
at the door, oddly enough there stood Joseph himself. Hewett, taken by
surprise, showed embarrassment and awkwardness; it was always hard for
him to reconcile his present subordination to Mr. Snowdon with the
familiar terms on which they had been not long ago.
‘Ah, you here, Hewett!’ exclaimed Joseph, in a genial tone, designed to
put the other at his ease. ‘I just wanted a word with our friend. Never
mind; some other time.’
For all that, he did not seem disposed to withdraw, but stood with a
hand on the door, smiling. Sidney, having nodded to him, walked the
length of the room, his head bent and his hands behind him.
‘Suppose I look in a bit later,’ said Hewett. ‘Or to-morrow night,
Sidney?’
‘Very well, to-morrow night.’
John took his leave, and on the visitor who remained Sidney turned a
face almost of anger. Mr. Snowdon seated himself, supremely indifferent
to the inconvenience he had probably caused. He seemed in excellent
humour.
‘Decent fellow, Hewett,’ he observed, putting up one leg against the
fireplace. ‘Very decent fellow. He’s getting old, unfortunately. Had a
good deal of trouble, I understand; it breaks a man up.’
Sidney scowled, and said nothing.
‘I thought I’d stay, as I _was_ here,’ continued Joseph, unbuttoning
his respectable overcoat and throwing it open. ‘There was something
rather particular I had in mind. Won’t you sit down?’
‘No, thank you.’
Joseph glanced at him, and smiled all the more.
‘I’ve had a little talk with the old man about Jane. By-the-by, I’m
sorry to say he’s very shaky; doesn’t look himself at all. I didn’t
know you had spoken to him quite so—you know what I mean. It seems to
be his idea that everything’s at an end between you.’
‘Perhaps so.’
‘Well, now, look here. You won’t mind me just—Do you think it was wise
to put it in that way to him? I’m afraid you’re making him feel just a
little uncertain about you. I’m speaking as a friend, you know. In your
own interest, Kirkwood. Old men get queer ideas into their heads. You
know, he _might_ begin to think that you had some sort of—eh?’
It was not the second, nor yet the third, time that Joseph had looked
in and begun to speak in this scrappy way, continuing the tone of that
dialogue in which he had assumed a sort of community of interest
between Kirkwood and himself. But the limit of Sidney’s endurance was
reached.
Public-domain text, read in full here on John Shaqi.
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