English fiction -- 19th century; London (England) -- Fiction; Poor -- Fiction; Poverty -- Fiction
Quite recently Joseph had become aware of the understanding between
Michael and Kirkwood. The old man still hesitated to break the news to
Jane, saying to himself that it was better for Sidney to prepare her by
the change in his behaviour.
‘Of altering things?’ Jane repeated, under her breath.
‘It seems to me wrong—wrong to both of you,’ Joseph pursued, in a
pathetic voice. ‘I can’t help noticing my child’s looks. I know she
isn’t what she used to be, poor little girl! And I know Kirkwood isn’t
what he used to be. It’s very hard, and I feel for you—for both of
you.’
Jane sat motionless, not daring to lift her eyes, scarcely daring to
breathe.
‘Janey.’
‘Yes, father.’
‘I wonder whether I’m doing wrong to your grandfather in speaking to
you confidentially like this? I can’t believe he notices things as I
do; he’d never wish you to be unhappy.’
‘But I don’t quite understand, father. What do you mean about Mr.
Kirkwood? Why should he—’
The impulse failed her. A fear which she had harboured for many weary
days was being confirmed and she could not ask directly for the word
that would kill hope.
‘Have I a right to tell you? I thought perhaps you understood.’
‘As you have gone so far, I think you must explain. I don’t see how you
can be doing wrong.’
‘Poor Kirkwood! You see, he’s in such a delicate position, my dear. I
think myself that he’s acting rather strangely, after everything; but
it’s—it’s your money, Jane. He doesn’t think he ought to ask you to
marry him, under the circumstances.’
She trembled.
‘Now who should stand by you, in a case like this, if not your own
father? Of course he can’t say a word to you himself; and of course you
can’t say a word to him; and altogether it’s a pitiful business.’
Jane shrank from discussing such a topic with her father. Her next
words were uttered with difficulty.
‘But the money isn’t my own—it’ll never be my own. He—Mr. Kirkwood
knows that.’
‘He does, to be sure. But it makes no difference. He has told your
grandfather, my love, that—that the responsibility would be too great.
He has told him distinctly that everything’s at an end—everything that
_might_ have happened.’
She just looked at him, then dropped her eyes on her sewing.
‘Now, as your father, Janey, I know it’s right that you should be told
of this. I feel you’re being very cruelly treated, my child. And I wish
to goodness I could only see any way out of it for you both. Of course
I’m powerless either for acting or speaking: you can understand that.
But I want you to think of me as your truest friend, my love.’
More still he said, but Jane had no ears for it. When he left her, she
bade him good-bye mechanically, and stood on the same spot by the door,
without thought, stunned by what she had learnt.
Public-domain text, read in full here on John Shaqi.
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