English fiction -- 19th century; London (England) -- Fiction; Poor -- Fiction; Poverty -- Fiction
It was a difficult thing to keep any room in the house orderly, and
Sidney, as part of his struggle against the downward tendency in all
about him, against the forces of chaos, often did the work of housemaid
in the parlour; a little laxity in the rules which made this a sacred
corner, and there would have been no spot where he could rest. With
some success, too, he had resisted the habit prevalent in working-class
homes of prolonging Saturday evening’s occupations until the early
hours of Sunday morning. At a little after ten o’clock to-night John
Hewett and the children were in bed; he too, weary in mind and body,
would gladly have gone upstairs, but he lingered from one five minutes
to the next, his heart sinking at the certainty that he would find
Clara in sleepless misery which he had no power to allay.
Round the walls of the parlour were hung his own drawings, which used
to conceal the bareness of his lodging in Tysoe Street. It was three
years since he had touched a pencil; the last time having been when he
made holiday with Michael Snowdon and Jane at the farm-house by Danbury
Hill. The impulse would never come again. It was associated with
happiness, with hope; and what had his life to do with one or the
other? Could he have effected the change without the necessity of
explaining it, he would gladly have put those drawings out of sight.
Whenever, as now, he consciously regarded them, they plucked painfully
at his heart-strings, and threatened to make him a coward.
None of that! He had his work to do, happiness or no happiness, and by
all the virtue of manhood he would not fail in it—as far as success or
failure was a question of his own resolve.
Public-domain text, read in full here on John Shaqi.
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